Adolphus Walsh

Adolphus Walsh

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  • Madagascar: Escape 2 Africa Madagascar: Escape 2 Africa

    Adolphus 2021-10-22 14:30:41

    In-depth thoughts and details

      I have always liked cartoons. Many of my friends find it strange to see me watching cartoons. People who are all rushing to the third also like this type of film, but I always feel that cartoons have some expressive powers that characters played by movies can’t reach. , Especially in terms of creativity and exaggeration. At the same time, cartoons will be hooked with children in the eyes of ordinary people. They think that cartoons are only movies that children like. This is also...

  • Adolphus 2023-09-27 17:36:37

    Only then did I know that the Chinese name of this documentary is [Female] Justice Ginsburg... It's as ironic as the male President Trump

  • Adolphus 2023-09-24 13:54:11

    So boring and boring. . . Few of the subjects involving the sea of ​​trees of Aokigahara are well taken

  • Adolphus 2023-09-23 00:02:21

    The heroine was surprised when she quoted Mao Zedong's long passage.

  • Adolphus 2023-09-21 22:49:57

    I want to see this movie too

  • Adolphus 2023-09-19 14:17:20

    Needless to say, it felt a little too deliberate.

  • Adolphus 2023-09-10 03:08:26

    The 1080P picture quality really exploded, as if I had seen myself indulging in the beauty of the major in the future. Green eyes + seiyuu + affectionate and ununderstood character design = a big killer of human walking. Although there are various hints that the Major has been led by a dog, he still holds a glimmer of hope.

  • Adolphus 2023-08-12 07:23:25

    I have no idea so far...

  • Adolphus 2023-08-07 07:18:26

    emm what is this called? I feel like I can't write it anymore and force the ending. . Open ending? It's called no ending

  • Adolphus 2023-08-02 19:22:05

    The artistic conception is far away, and every piece of paper and painting is very skillful.

  • Adolphus 2023-07-27 02:29:57

    It sucks, but I like it (shy)

  • Adolphus 2023-07-21 19:19:07

    It is also better to die in the sea 800m away from the dream than to wander on the shore 30 kilometers away. Perhaps living is the foundation of everything, but people can never just live, even if they are displaced refugees. So we are destined to suffer for the sake of the distance. I think of Milan Kundera, an old Czech living in France, who has an irresistible sense of wandering. His luck is that he also has a pen that is easy to use. Iraq, a new carrier of war and pain

  • Adolphus 2023-07-19 05:17:32

    The idol movie made by Aunt May?

  • Adolphus 2023-07-17 06:45:35

    live at the present and stop looking back through your rear mirror

  • Adolphus 2023-07-09 20:03:00

    The script is not as good as the seven deadly sins, the charm is not as good as the silent lamb copycat is almost

  • Adolphus 2023-06-26 01:39:06

    The author empties the background of the war, and takes the life of a former artist couple as an intervention to lead the audience to wander through an absurd and cruel alien dimension, witnessing the depravity of human nature and thus criticizing the evil of war. The two dream narratives at the beginning and the end, one is a bad omen and the other is awakening, and in the middle is the endless wandering of the soul, from escaping from the house to escaping back to the house to the burning of the house and finally trapped in the sea, the house is used as a symbol in the film. The foundation of the family and the sustenance of the soul were completely destroyed. Bergman endows the trivial matters of life with vitality to shape characters, takes time out and compresses dramatic scenes. The sense of humor generated in extreme environments can make people feel that human beings are ants, and it is difficult to adhere to human nature in a life controlled and affected by other forces. As the saying goes, survival replaces sympathy for each other. The subjectification of several dialogue scenes stripped of sight indicates the disillusionment of emotional communication. The end of the film points the finger back to an era full of oppression, but this long dream is real. In addition, Bergman's handling of sound has a humanistic concern, and the smoky war scene has the impression of the seventh seal