Clay Hilpert

Clay Hilpert

Reviews

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  • True Romance True Romance

    Clay 2021-10-22 14:30:30

    Real romance

    Quentin screenwriter, does not take the usual path, countless off-line details, countless shocking tactics, personal favorite Christopher Walken, too stylish. In fact, I always think Quentin’s love view is very interesting. In this movie, the girlfriend and dad’s kisses are very engaging, and the man’s complaints are also very strong. . QT is good at conflating the good and the bad. There are no absolute good and bad people in the movie, only the one who has the last laugh. Violent beauty,...

  • Red Dragon Red Dragon

    Clay 2021-10-20 17:46:31

    Hannibal Prequel

    A crime thriller, telling the story of how Will, the first FBI agent who discovered that Dr. Hannibal had cannibalism, asked Hannibal for advice in order to track down another serial murderer who had a hobby of biting the victim. Hannibal's prequel, several actors like it very much, very good!

    The plot is old-fashioned, but it captures the fate of horror and emotion. The lamb represents the cowardly crowd. This world has sympathy and sincerity, and there is more false sympathy and...

  • True Grit True Grit

    Clay 2021-10-20 17:29:55

    Past feelings and noble style

    To be honest, I don't like to watch westerns very much, or more accurately, I don't like to watch them. I really don’t like the background color of the yellow and the lack of change, nor do I look down on the drunk drunkard and the dirty cowboy with well-developed limbs and simple mind. In short, it is a barbaric society where the weak and strong. It is the iron-blooded order under the barrel of the gun. The serene tenderness and laconic sentiment lack complex and multi-layered...

  • Clay 2023-09-12 03:01:19

    The first half was too good to be true...especially when the family said we're 381 years old together. Money and this kind of stuff are always being printed....Breaking tears as much as Les Miserables>

  • Clay 2023-09-05 11:59:28

    I most appreciate the supporting roles of the secondary line, and the grasp of "discrete". It is said that Director Chen fell into the shadow of "Sweet Honey" and always wanted to surpass this great success. I don't think he's playing. Compared with Xiaoqing Xiaoai, he is obviously more sensitive and ambitious to the changes of the times. But in troubled times, there is not much sincerity. He lacks a soft figure to solve the problem in the new era. What's more, your video narrative has regressed too much. Is it too close to the times to become vulgar?

  • Clay 2023-08-31 03:53:02

    I can't understand what this movie brings to people

  • Clay 2023-08-27 16:52:29

    I really like watching Art Forgery's subject matter, and this documentary can be said to hit the spot. Although it is the biggest fraud case in the history of modern art, the perspective of the shooting is really interesting. The high-class beings exposed through art fraud, the pursuit of profit and greed in the art circle, the hypocrisy and pretense of the rich, everyone is accusing each other, no one Confessing mistakes, sharp editing, drama and dark humor (the debate in court over whether Rothko's painting was turned upside down is ridiculous and hilarious) The ultimate irony may come from Ann's lawyer's soul-crushing, "Ten A masterpiece worth five million that was coveted a few years ago is now worthless just because it is fake, can our experience of the same work of art be changed so easily?"

  • Clay 2023-08-20 00:03:17

    This is the first time I watched UN troops fight, and this history was not chosen very well. Or are fictional stories more powerful, there are too many constraints in real deeds, and not everyone dares to kill Hitler like Quentin did. The war scene was not tragic enough, resulting in the ending without much sympathy. Should there be more panoramic displays of the progress of the war?

  • Clay 2023-08-06 16:20:00

    A very important function of the film is to tell the audience an untouchable life. Even if the film is boring, it is not worthless, and the "ecstasy" of the protagonists in the film is quite common in this era; see also [Empty room] mode; Coppola, who has always been unclear, expressed some attitudes in the second half (especially in the end, Emma looked directly at the camera to advertise, and the comparison between her stealing treasures and Africa's public welfare)

  • Clay 2023-08-01 18:09:45

    . . . . . . . . . . . . . . . . . . . . .

  • Clay 2023-07-21 23:30:26

    Is there a purchase link for that TV? I’ve been hammered by an iron rod for ten years and still show the screen firmly, I’m Nima

  • Clay 2023-07-13 19:23:30

    Don't give up, stick to the end, there is always hope. claustrophobia looks goosebumps

  • Clay 2023-07-10 08:02:53

    The human skin face doesn't match the body.

  • Clay 2023-07-09 16:47:53

    The tragedy of the human world is that they always miss each other, and surrender their lives for the glass-like beautiful but fragile things. I ask the Lord for mercy, and I choked silently.

  • Clay 2023-07-06 15:53:08

    Not as good as the super cool remake, but the old leopard is still great!

  • Clay 2023-07-04 23:42:57

    I don't think it's inspirational, there's a lot of nonsense. A story that can be told in 60 minutes has to last for 100 minutes.

  • Clay 2023-06-09 21:07:09

    Maybe it's a cultural difference, and I don't appreciate this film very much. Just feeling a bit like The Disaster Artist?

  • Clay 2023-06-08 19:26:14

    In fact, the child's heart is always the simplest and purest, and Ta can want to be whoever he wants to be. And when all this faces the traditional society and cruel reality, the innocence and the courage to be yourself are slowly consumed and lost. Ludovic's family was very enlightened at that time, but it was still difficult to keep everything the same under the pressure and eyes of the neighbors. If you love Ta, why can't you accept what Ta wants to be, don't wait until you lose this child who once hoped to be loved in the hesitation.