Ten Reviews

Heloise 2022-01-22 08:03:02

Abbas is a very slippery director. In the Islamic world, he gave up discussing realistic and sensitive religious, political and cultural issues, but instead focused his lens on naive and stubborn children ("Where is My Friend's House") and simple farmers ("Olive Trees"). "The Lovers Under"), he...

Pearl 2022-01-22 08:03:02

1. The conversation that took place in this taxi, the life of the passengers and the life of the female driver can take place in China. We have overemphasized cultural differences and ignored the amazing similarities of life content. Regardless of the living standard, relationship experience,...

Merle 2022-01-22 08:03:02

The film is very simple in structure --10 same shots in one car. It contains 10 different conversations of son and mother, old lady praying everyday, and women who just broke up etc. They all portray women's predication in Iran. The film is like a stream flowing quietly and slowly. The audience is...

Kole 2022-01-22 08:03:02

In this movie, the camera never left that position: inside the windshield, above the dashboard, to the left or right. There is only dialogue, or please look at the facial expressions of the characters. In the dialogue between the characters, you can hear their identities and relationships, but they...

Karelle 2022-01-22 08:03:02

Abbas has always liked in-car shots, and most of his works will have a large number of in-car scenes. And this film seems to be a piece of play (pure speculation) that Abbas shot to satisfy his own habit. But for Abbas, even if he plays, he has to play with depth and criticism.

From the beginning to...

Yasmeen 2022-01-22 08:03:02

① A movie composed of fixed lenses in the car (again, a car) can eliminate the complexity of the lens language and increase the weight of the text, but it is not only the presentation of the text that can replace the image

②This time, Abbas aimed the camera at the city, which is a film caring for...

Brent 2022-01-22 08:03:02

There are no taxis, nor is it a conversation between a female taxi driver and passengers. When other people’s comments were written silly, a group of people yelled at them. The woman is a divorced middle-class woman with her own private car. The passengers in her car are all people in her life,...

Milton 2022-01-22 08:03:02

The taste of abbas kiarostami's cherry tells men, and then these ten shows the world of women. As a female theme film, this natural shooting method is undoubtedly advanced and successful. A stop-and-go taxi cab is the same thing as woolf's "a room of one's own". This is a closed, independent, yet...

Shanna 2022-01-22 08:03:02

L'éternel observateur de la société iranienne, Kiarostamie ne cesse de renouveler, d'innover. Avec Ten, il nous livre un film dont la puisse des paroles est au comble. Afin d'accentuer la force des dialogues sur lesquelles repose le force des dialogues sur lesquelles repose presquelles film,...

Randy 2022-01-22 08:03:02

The brilliant dialogue between the characters allows the film to fully express its connotation without too much lens language. 1. Women should be independent or dependent "We depended on our parents when we were young, when we grew up, we depend on men, when we grow old, we depend on children, and...