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Clementine 2022-11-14 04:34:12
Fear eats the soul
Bogart is really cynical. There was hardly a second of the first hour of play. Later when I played Gloria Grahame in the agony of fear, I thought she was pushing hard but not really hitting the mark. I'm intoxicated by that old alcoholic actor who said affectionately at Bogart's door: For thy sweet...
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Donna 2022-09-20 06:57:56
female audience perspective
Empathy, as a female audience, the position is inevitably biased towards the female protagonist. The first half of the film is mostly from an objective perspective, and in the second half, in order to create a thrilling atmosphere, the subjective lens is moved to the heroine. The audience also...
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Isom 2022-05-11 22:26:34
Happily-ever-afters can't mitigate toxic masculinity
There might be a handful of grammatical mistakes but it's too late for me to care...
The FarewellI genuinely loved watching this film; the experience of which, without any exaggeration, is unprecedented for me in quite some time. It is not the typical Film Noir that is mostly centred around...
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Rozella 2022-05-11 22:23:17
Half angel and half devil, is such a man worthy of sympathy?
"Three people become tigers", when people around you repeat lies in your ears again and again, one day you will believe it.
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Lela 2022-05-11 22:17:22
Grumpy Brother
Nicholas Ray's films always focus on men with extremely unstable personalities, such as James Dean in "Rebel Without a Cause", such as the middle-aged man in "Higher than Life" who is gradually blackened by the influence of drugs . In this film, Steele, the irritable and down-to-earth screenwriter...
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Dave 2022-05-11 21:25:27
love by faith or faith by love
The reason why Bogart is one of the greatest actors of the twentieth century is that he is good at expressing the great contrast between the appearance and the heart of the characters. In this film, the protagonist Steele played by Bogart is also such a character with great internal and external...
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Humberto 2022-05-11 16:41:44
two phones
Nicholas Ray's "Bloody Blues" (aka Desperate), a black-and-white 1950s film, is the best movie I've seen in a while. It once again confirms a simple truth, no matter whether there are more advanced technical means or not, a good movie does not need to depend on a gorgeous form to exist. "Bloody...
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