The male protagonist of this film is actually a supporting role, and only the female protagonist is the protagonist. One of her transformations (inner projection) is dren.
This film can be understood as the heroine's sexual fantasies and the realization of fantasies. Sexual fantasies include merging with other creatures; seduce one's own labor (or father) (as a dren under the repression of the superego (self)); become a man (as a dren) and make love with oneself; A self (sequel...); of course there is an obvious fantasy of bestiality. The evil side of the heroine is no less than dren (because dren is herself).
In more detail, in fact, the whole incident was planned by the heroine from beginning to end. Why was the hybrid she wanted to be banned? Why does she still want to do it? Then, operationally, the various sources including the dren gene are selected by the heroine herself (why should she mix her genes in?) She mixes her genes with dren and hides it from the laborers, because there is a subconscious desire to make herself evil Through dren's unscrupulously exposed thoughts. It was the heroine herself who killed the hero (via dren). Because I already have a male variant, I no longer need a man. The heroine kills dren again because he has already mated with it and it’s useless to keep it (see prestige, it’s more appropriate
to keep only one copy for each copy), the heroine calmly keeps the dren mating in the womb fetus. This fetus is actually the product of mating with itself, so it is also itself (plus some other creatures).
The deeper theme of this film is more ego, that is, the director's sexual fantasies are realized through the realization of the heroine's sexual fantasies. If you are lucky enough to have a high reaction after watching the film, it is mostly because you also have one or more of the fantasies listed at the beginning.
Fighting with inner projections, or lingering, the general commercial treatment is Spider-Man 3.
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