In general, it is lovely to be able to shoot such a story in 1997, but now it seems that it is still a bit convincing. Look at the horror, look at the crime, look at the suspense, or look at the logic to see the final outcome. If the logic is not strong, the ending will usually be ambiguous.
1. After the hostess escaped from the secret room, the FBI couldn't find the secret room for no reason. Since she jumped into the river valley and followed the current, she could always find clues. It's the FBI, FBI, can this stump them? This question made me instantly disappointed with the play, even though it was well laid out in front.
2. The true identity of the perverted criminal is very inexplicable. The answer to this mystery is a bit too far. Although it is surprising, it is unreasonable and unreasonable. Such a handsome young guy who wants to behave and has an identity and identity. The future is boundless, why is it so perverted? The previous arrangements made people think that the criminal was discriminated against because of his ugliness or disability, and then went crazy to retaliate against the beautiful woman. Of course, you can also say that metamorphosis is metamorphosis, and metamorphosis does not need a reason, fine, then I have no choice but to nod.
3. The secret room, the group of women who were tied up, and the life of the perverted criminals doing what they did in it, reminds me of the book (like Justina) written by Thad Plot: Lure a woman into your own castle, and then treat it like a slave. Some are crazy, just add fresh... But the SM in the book is missing in this film.
The ending is very awkward. Anyway, what the pervert did cannot be explained by common sense, so I won't be long-winded.
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