For love, Han is going to meet the President of the United States and say: His name is Han, and he is not a terrorist. From the beginning, the film is about the hardships of Rare's petitioning, and then uses flashbacks to tell about his childhood, experience and experience in the United States, and an hour and a half later, continue to tell Rare's petitioning journey. These hardships and tribulations are easily reminiscent of Qiu Ju’s ups and downs in the lawsuit, and the mother played by Angelina Jolie in Clint Eastwood’s "The Suspicious Cloud" Calling for his son, as well as Takeo's petition in Dai Liren's work "I Can't Live Without You" last year.
Later, I rarely saw Bush, but I saw the newly appointed Obama. Han's perseverance is the same as Forrest Gump, and the success of meeting the president is like Forrest Gump, but it is much harder and tortuous. Fortunately, Han was more fortunate than A-Gump. She had precious love and a wife who loved him. The Jenny whom A-Gump fell in love with did not like him. Later, Jenny had a lot of experience before reuniting with A-Gump.
After watching the film, in addition to gaining these associations, I have to sigh with emotion for the film itself and the protagonist in the film. This is really a 100% main theme and extremely harmonious. The film is made in Bollywood, India, and it should be the main theme of India. What's interesting is that it is another American theme. It is a movie shot from the perspective of Hollywood. Rare encountered a problem after the "911 incident" because of his status as a Muslim, and then the problem was resolved. For American audiences, the harmony of the film is even better than that of Hollywood films, and the racial discrimination issues in all kinds of Hollywood films are sharper and closer to realism than this film. In the end, rarely received by Obama, he succeeded, for love, for a simple defense of justice. The climax is here, move, be moved, how cold-blooded it is not to be moved. Here, "Hard" has almost become a diplomatic film. In addition, the appearance and speech of Shanzhai Obama made people act out with a sense of joy and weakened the sensational effect.
The love between Han and Mandia is the main line and driving force of the plot. Many things have been added to this main line: religious beliefs, terrorism, racial discrimination, media justice, etc. Judging from the current results, the choreographer's approach is successful, and most viewers bought it: they were moved. In fact, it is absolutely overwhelming to add so many things in such a movie. Everything is covered, all problems can be solved, only a little bit of water, no pain or itching.
The various tendencies of the film are on the side of morality and legality, and some narratives are added at will. Han encountered a black mother on the way, and later returned to rescue, and reported terrorists in the mosque. These plots were obviously the screenwriters who came up with each other. In order to highlight the effect and amplify Han's faith and love, no matter what the plot was inserted. . In these places, the screenwriter is not clever.
When the issue of beliefs and hot events are discussed together, the two issues are easily resolved, so easily, the outcome of the issue is unconvincing. Even if you are moved by the rare behavior, you have to admit that the film has overly whitewashed various issues. A flirty commercial movie, with a sensational bomb, looks like a work of conscience based on the theme of great love, but it is actually dominated by deliberately flattering commercial elements. From the perspective of an outsider, I can only watch the fire from the sidelines to all kinds of problems. Maybe I should only care about the rarely respectable faith and the unhesitating pay for love, but everything is obviously just a bad illusion, just like the sunshine and the film in the film. For music, the light is too bright and dazzling, and the music is too full and noisy.
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