Six Touches that seamlessly cooperate with skilled acting skills and superb director skills

It would be too unfair to simply use the analysis of human nature, blur the boundaries of black and white, or use a gray area to summarize and comment on this film with a re-understanding of human nature. Obviously, the bad lieutenant, which I didn’t expect before the opening, had the idea of ​​exiting at the beginning of the show. It did use superb director skills to show off a subject that has been badly filmed. .

Nicholas Cage's acting skills are of course needless to say. Although the previous Bangkok killer was a bit disappointing, but like everyone else's comments, yes, Cage is Cage. Whether it's a stiff body shape with a sore back, the intoxication when taking heroin, the lack of brain of sexual impulses, or even roaring and hesitating.

It is only an actor like Cage who can cooperate with the director to complete such a classic.

From the beginning of the typical 1980s film with the old-fashioned bridge of water snakes, to the co-entry between the protagonist and the lizard and the nonsensical and joyous songs, to the momentary gang shootout, the director raised his voice in countless places on Western movies and The reverence of old film attractions. And this arrangement also allows the audience to feel the other students when they watch these bridges in 2010-it seems to be far and near.

It is very similar to the city of moving souls. From the beginning to the end, the whole film uses dark tones and mysterious music to create a complicated atmosphere full of cynicism and mystery.

Sometimes, if it is a movie, it is better to say that it is a feature film with many drama scenes connected together. Just like Kaiqi's fascination with drugs, the director's requirements for the scene have reached a certain level of strictness. We can find that many very deliberately created movie pictures, and each scene is often cut into by these classic scenes.

It should be said that many of the plots in the movie are bridge sections that cannot happen in real life, or bridge sections that are unbelievable. But the director has dealt with them so real. It was so real that the audience could only be surprised, exclaimed, and laugh, but could not doubt it. At the same time, I was deeply touched by these old-fashioned plots from the inside out.

Until the prisoner who was rescued at the beginning of the film appeared again, and the two went to the aquarium to sit together, and when such an old man appeared again, we smiled relievedly.

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