Hello amigo what's up...

Marcellus 2022-04-23 07:01:34

Super super like this movie! ! ! I can't control it anymore, I just like it, how can I express this feeling? Highly recommend this movie! Be sure to watch it~
Come back first, let's talk about this movie that drives me crazy. Cartoons, one of my favorites, what's wrong with watching these at such an age? Not only are they humorous and creative (because the main target is still children), but they also reflect some social phenomena, as does this one. When the pace of human civilization gradually stretches to every corner, the backward civilization will always be eliminated by the advanced civilization. "elimination" is also a very sensitive word here. Although some people say this is inevitable in history, it is a disaster in the eyes of the people of the backward civilization. Dirt, a small town in the desert in the story, is in this civilization that is about to be eliminated, and is facing the border of water shortage and death. However, water is used in the mayor's so-called "for the future", in the construction of civilization. The phrase "control the water you control everything" is his method.
In fact, the mayor is also helpless. He just follows the development of history. He was the first to see the changes on both sides of the road. He knew that the town was destined to be eliminated. It is better to do something before being eliminated to be remembered by history. Although in the end Rango and the others got the water, they were pessimistic that it would not last long, and the disaster would be even more terrifying. Ah, human civilization, I am in civilization, how can I be good.
The law is also involved, as Rango said: you see the sign up there? As long as the sign says "sheriff", you can believe that there's law and order in this town. He represents the law, and the government is also within the law Under the law, the law is supreme, and everyone is equal before the law. The image of Rango looks very unreliable, but he has his beliefs, he makes the villagers believe, and makes them have faith and hope. who am I? Always asking himself, he can be anyone, he wants to be a hero, so he pretends to be a hero, but he finds out that heroes are responsible, like the spirit of the west said it's not about you , it's about them. Finally He has found his own direction in life, become someone.
No man can walk out on his own story. This sentence is still unclear. Does it mean that everyone's destiny has changed? I don't believe in fatalism. I don't agree with this. If it is interpreted that everyone should assume the responsibility of the role they choose, it is acceptable. Rango wants to escape and doesn't want to go back, but the spirit of the west says you have no choice, No man can walk out on his own story.
The Spirit of the West draws a frame on the windshield, just to surround Rango, this frame echoes the frame that Rango draws in the glass jar that closes himself at the beginning of the movie, the previous one is like a question (who am I?), the latter one seems to be the answer. Just imagine that the scope of our life is limited, we may live forever on the earth, forever in a country, in a region, although we can't get out of this box, but we can live a wonderful life, according to fatalism, we can't escape destiny The arrangement of the goddess has never stopped us from living happily, which reminds me of another movie "The Truman's World" in which Truman challenged his own destiny, can't we? Or just don't live in someone else's hands and be whoever you want to be, be it a rescue hero, a designer, a clown, a sanitation worker, a scavenger•••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••
There's a scene here that reminds me of Dalí's surreal paintings, by the way, Rango's dream before being washed away by the water, with his big fish and a half-length model with a broken arm in the distance in the final scene. The analysis of the dream is also very Freudian, but I can't make any analysis. I like that scene and I really want to know the analysis of the dream. Rows of plants in the desert turned into tails like rattlesnakes, fish swimming in the air, and staring at Rango ••••••It's a magical, wonderful dream.
The background music was performed live by the four owls, not only behind the scenes, but the storytellers also participated in the story and communicated with Rango, but not completely involved, like war scenes, they would not be hurt. This is what I love, they are hilarious and remind me of playing on the Titanic. This kind of creativity can be used for reference. And their attire, very familiar but can't tell what style, special. The music is so well matched and not boring.
The cartoon is basically full of humor, excluding those weird, humorous live performances of the four owls, those stories made up by Rango, the eagle chasing Rango, some kind of mysterious ritual performed by the people in the town on Wednesday, and The fighting scene of the gophers; their behaviors and actions, like the blend in when Lango first entered the town, imitating the actions of the locals, Lango's expressions are very rich.•••••• These are all dumbfounding. Yes, every expression and subtle action shows the effort made during the production, it's very funny~~~~
I have to pay tribute to the producers, directors and other people who contributed to this film.

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Extended Reading

Rango quotes

  • Maybelle: [annoyed] You've got a lot of nerve coming back here, lawman. What is it that you want?

    Rango: [dead serious] Yer pappy and them boys are gonna hang for something they didn't do.

    [pause]

    Rango: But I've got a plan...

  • Rango: [taken aback] Golden guardians... Alabaster chariot... The Spirit of the West!

    [to Spirit]

    Rango: Ahem... excuse me... Mister Spirit... sir?

    Spirit of the West: [eyeing a fish hook] Now there's a beaut. Sometimes you have to dig deep to find what you're looking for.

    [to Rango]

    Spirit of the West: So, you made it.

    Rango: Is this Heaven?

    Spirit of the West: If it were, we'd be eating Pop Tarts with Kim Novak.

    Rango: Yeah, ain't that the truth. What are you doing out here?

    Spirit of the West: Searching... same as you.

    Rango: [downhearted] I don't know what I'm looking for. I don't even know who I am.

    [brighter]

    Rango: They used to call you 'The Man with No Name'.

    Spirit of the West: Nowadays, they have a name for just about everything. Doesn't matter what they call you... it's the deeds that make the man.

    Rango: But my deeds just made everything worse. I'm a fake... a phony. My friends were counting on me. They were looking for some sort of hero.

    Spirit of the West: [emphatic] Then be a hero!

    Rango: [disbelief] Oh, no! No, no. I'm not even supposed to be out here.

    Spirit of the West: That's right. You came out here looking for something that didn't exist. But don't you see?

    [pause]

    Spirit of the West: It's not about you... it's about them.

    Rango: But I can't go back.

    Spirit of the West: Don't think you have a choice, son.

    [draws rectangle on windshield]

    Spirit of the West: No man can walk out of his own story.