Tell a most "Western-American" story in the least "Western-American" way

Bailee 2022-04-22 07:01:05

"Rango" is a very good animation work by American director Gore Verbinski. It allows us to see the more literary, but equally crazy side of the director who made "Pirates of the Caribbean". The film tells the fantasy adventure story of a chameleon in a western desert town in a modern setting. The film's music, detail handling, and character design are all excellent, and the director's unrestrained imagination without departing from reality makes the film stand out from many animated films.

Music is the soul of the film. The director and Hans Zimmer, the god-level combination, used music in "Rango" almost perfectly, using classics and at the same time very creative. The four owls sing along from beginning to end, with western characteristic music throughout the movie and changing with the plot, is a good way of narration. In the canyon battle of the groundhog family chasing Rango and the townspeople, the background music creatively seamlessly connects two pieces of music with different styles into a piece of classical pure music with intense rhythm, which is a good way to create a western movie. Some tension and excitement.

The detail handling of animated films is a measure of the quality of the film, and the detail handling of "Rango" can be called perfect. In the car accident at the beginning, the details of the shadow between movement and stillness were not flawed at all, and the subsequent scenes of eagle encounters in the desert and sunset riding were very brilliant. The best is of course the series of shots when Lango first arrived at the small town bar. The contrast between light and dark is very well used. The combination of close-up and depth of field depicts the characters well, making every character in the bar leave a deep impression on the audience. Foreshadowing of the formation of the team in the future. The rational use of mirrors is also a highlight of the film. The opening car accident and the broken glass cabinet indicate that Rango's peaceful and comfortable life has been broken. The glass when the telescope marks the appearance of a new life goal, staring at the mirror in the bar to find a new self.. ... The use of mirrors makes the film a little more artistic, showing the director's expressive skills well. As an animated film, "Rango" pays more attention to details than live-action movies, and even surpasses live-action movies in detail. This makes us feel the sincere admiration for the director's serious attitude while lamenting the development of technology.

"Rango" is not only outstanding in form, but also in its content. Including loneliness and friends, self and authenticity, and the environmental water crisis. Especially the last proposition about water, when Lango looked for the source of water and saw the city, I believe it deeply shocked every audience. We can't live without water, but we really don't crave water as much as Rango does. "Rango" is not only an excellent adventure story about finding oneself, but also serves as a warning in line with the times, and it is a masterpiece of animation.

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Extended Reading

Rango quotes

  • Maybelle: [annoyed] You've got a lot of nerve coming back here, lawman. What is it that you want?

    Rango: [dead serious] Yer pappy and them boys are gonna hang for something they didn't do.

    [pause]

    Rango: But I've got a plan...

  • Rango: [taken aback] Golden guardians... Alabaster chariot... The Spirit of the West!

    [to Spirit]

    Rango: Ahem... excuse me... Mister Spirit... sir?

    Spirit of the West: [eyeing a fish hook] Now there's a beaut. Sometimes you have to dig deep to find what you're looking for.

    [to Rango]

    Spirit of the West: So, you made it.

    Rango: Is this Heaven?

    Spirit of the West: If it were, we'd be eating Pop Tarts with Kim Novak.

    Rango: Yeah, ain't that the truth. What are you doing out here?

    Spirit of the West: Searching... same as you.

    Rango: [downhearted] I don't know what I'm looking for. I don't even know who I am.

    [brighter]

    Rango: They used to call you 'The Man with No Name'.

    Spirit of the West: Nowadays, they have a name for just about everything. Doesn't matter what they call you... it's the deeds that make the man.

    Rango: But my deeds just made everything worse. I'm a fake... a phony. My friends were counting on me. They were looking for some sort of hero.

    Spirit of the West: [emphatic] Then be a hero!

    Rango: [disbelief] Oh, no! No, no. I'm not even supposed to be out here.

    Spirit of the West: That's right. You came out here looking for something that didn't exist. But don't you see?

    [pause]

    Spirit of the West: It's not about you... it's about them.

    Rango: But I can't go back.

    Spirit of the West: Don't think you have a choice, son.

    [draws rectangle on windshield]

    Spirit of the West: No man can walk out of his own story.