I didn't do my homework beforehand, and the more I looked at it, the more I felt like hereditary bad luck. The two are just too similar, the twins, both cults, both so slow, both so fond of detailing, projecting, and then pushing the duration to the point of exploding. I can feel that this part is an improvement over the previous part. First of all, the layout is much larger. This type of film likes to shoot long shots and has a lot of medium shots. The details that need to be conceived and adjusted are doubled. There are some exclusive styles of lens processing. Style, pictures that are always overexposed are rare in horror films. Some scenes and props that cannot be described are well done, and they are directly featured. Several cult scenes can be written into textbooks. This time, I feel like I made the model bigger, but I have ideas for various shooting methods. The big logic of the story is compared to the previous work and all the blame is thrown to the evil spirits. This time, it has prepared a lot of empathy for the heroine's collapse and black. Pelle has been instilling family brainwashing, long-term anxiety and such a major blow, the audience can't Treat her as a normal person, but the people around her treat her as an ordinary person. The director added montages at the turning point of the heroine's thought to hint the audience: "labor and capital are going to be reversed", such as the corpses of family members on the cliff ~ inherited The closed loop of siv's life said that the repeated appearance of grass on hands and feet ~ makes an anxiety + depression patient feel alive, and in the middle of the night I saw my friend drive away and shouted but was covered by the black fog ~ again I doubt whether these people have empathy with myself, come on After the may queen, I saw my mother in the congratulatory crowd~ I found the family's sense of belonging again, and so on.
detail. Crazy details everywhere. The director is a perfectionist, perhaps a little too obsessed with these "show-stopping" things, otherwise the film would not have been completed in 2 and a half hours. Isn't it just telling a simple cult story, if you just read the text introduction of the film, it's really no different from a lot of summer teenage R-rated horror films in the past. Some of the masters like to play some details, such as the Matrix of the year, and the Inception of Nuo Shen. But the real gap is in the amount of detail, and how important that detail is. If you don’t watch or completely ignore the details in the film, you can still enjoy the two films, but if the second or third brush slowly chews through the hidden details, you will find that The Matrix is still a religion, society The theme of the film, Inception is a film with such meticulous logical reasoning, and a certain degree of open space is reserved to make a film a classic memory to this day. There is also Marvel who can play the details, and it is a lot of fun for diehards to find easter eggs.
However, the director used the details as rotten suspects, and the language of the shots was too forbearing, so that it was easy to get out of line if you didn't look carefully. It is not very friendly to ordinary fans, and the overall rhythm is too bland, and the public reputation will not be high.
How to integrate your own ideas into business returns is the biggest gap between masters and ghosts.
View more about Midsommar reviews
