She confessed the course of her youth like a self-talk: "I still don't know what I really want, but I finally understand more and more what I don't want." - What she has gotten is not what she wanted need. This kind of feeling is very abrupt, but it seems that something is touching a very weak part of my heart. I subconsciously think of Yu Hong, the heroine in "The Summer Palace", in the summer of 1989 in Beijing. She is madly infatuated with a man, Zhou Wei. Her sensitivity and bravery shocked me, but she was too paranoid and kind, which made this lifelong love collapse and exhausted each other's patience and feelings. I don't know why Yu Hong did everything possible to make the men around her feel her kindness and kindness, but for Zhou Wei, she became so cowardly and cruel, she resolutely chose to break up with Zhou Wei, because she loved this one in front of her too much. man. A few years later, after wandering around many men, fleeing, and finally exhausting the last bit of resistance, Yu Hong, who was pure and beautiful when she was young, got married in a hurry at the age of 30. In their unforgettable love with Zhou Wei, they have loved each other, have been tormented, and honestly, I don't know whether she really loves Zhou Wei or loves her crazy in love, or everything is just for a very simple The purpose, as she said: "I just want to live more intensely." To
live more intensely, this may be the reason why Christina took the initiative to cater to Juan's provocation. She dared to face her inner desires and face the world calmly. You can scold her for her low morality and laugh at their chaotic life, but ask yourself: Is there an urge to commit crimes lurking in our hearts, fantasizing that we can occasionally disappear without a word and travel far away, fantasizing about being alone in loneliness? During the journey, we encounter an affair, and in the vacuum of time, we can unscrupulously go wild and realize our naked ideals. Of course, none of us have the bravery and kindness of Yu Hong.
Following the cities of New York and London, Woody Allen chose Barcelona, a city full of fun and romantic surprises. The story is still about the relationship between men and women. The story itself is full of interest, and because of being in this city of love, the color of the oil painting in the lens, whether it is the mottled and twisting alleys, the old town Oviedo, or the whispering whispers of the actresses, all change. of admiration. In addition to the film itself, one of the heroines, Scarlett Johansson, is Woody's new muse. In the film, she is dressed in a clean white shirt and jeans, looking youthful and beautiful, playing Penelope Cruz, the painter's wife. She is the most beautiful and moving in the film, with a beautiful mouth, a pure body, perfect Spanish and English with a Spanish accent, her smoking posture, her heavy smoky makeup, her glamorous eyes, become a man's fantasy The ultimate, may not be inferior to capturing the scenery of Tom Ge in those days.
Most people question the charm of the male lead, but I like the painter Juan played by Javier Bardem very much. He is full of Latin style and wild temptation. His performance achievements in life are also obvious to all. In "Between the Legs", Javier Bardem's performance as a sex addict allowed the audience to indulge in erotic provocations with a unique Spanish sensuality, and a "Deep Sea Sleep", which discusses euthanasia, made me amazed by his paralysis. The patient's perseverance and forbearance, until the Coen brothers' "No Country for Old Men" in 2007, Baden's excellent completion of a black work that surpassed the peak, no wonder some people say, "In 2007, Baden was the ugliest mushroom head in the world but the most beautiful. It deservedly won the highest award of the year - the Oscar for Best Supporting Actor; in 2008, it was adapted from García Márquez's "Love in Cholera", and composed a piece of Mesoamerican sex and love that traveled through a lifetime. A journey of spiritual love. In the end, the director Woody Allen's name need not be said, the rambled dialogue, as well as his unique neurotic and chaotic relationship between men and women, his films have a place in film history as early as , and even some people praised him as the most literary American director.
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