So I naturally liked Vicky Christina Barcelona, it's so smart, real and funny, you can see it just by looking at the titles. Vicky's middle-class and interesting fiance and Chrisitna are destined to be two kinds of people who don't like each other. Men use pretty when describing Christina, which is one of the most common and the most common disdain. And I could almost hear the laughter in Christina's head as the middle-class man stared at him and asked, "So you're bisexual now?" Should we be grateful that the development of the times has given women more possibilities for economic independence, so that the tragedy of Madame Bovary will not be repeated too frequently? In fact, when I watched Madame Bovary from the perspective of an ordinary Chinese, all my sympathy was given to the poor man, and Emma, you said that she deserved to end up like this. is allowed. The only thing is that Monsieur Bovary is pitiful and even respectable, but he is not lovable. Love never needs to be on the side of reason, on the contrary, it is outside of reason and therefore wonderful.
Juan Antonio and María Elena are lovely people. The first time the man saw Vicky and Christina, he took the initiative to propose a small plane trip and 3P, which scared Vicky's face; the woman took out a razor and a pistol at every turn, threatening the safety of herself and others like a time bomb. (Unlucky Vicky, why is it always her?). But they are real people, and maybe because they are too real to have any business concerns, they can't get along. This kind of hurtful love is terrifying and beautiful - they don't need to scavenge for any evidence or form any worldly expectation to prove it, their existence is love itself. From this point of view, the innocent lovers are lucky. Of course when the film ends, the endless tossing begins again. Juan Antonio's poet father said that human civilization has experienced thousands of years of evolution, but we still haven't learned to love.
Christina is a wonderful person, she was babbling on the stoic Vicky on the small plane after food poisoning, I thought she was Vicky's side character at one time. Before María Elena appeared, she didn't even see what she meant. Until she carefully said "Actually that, I learned Chinese" to the hot eccentric María Elena, until she guiltily told the two artists that she was not talented, until she apologetically announced her withdrawal from the 3P group... She seems to be Aimless, irrational, but truly free and unfettered. There must be some kind of magic in her - a first-class dangerous item like an artist couple, she walks in it with ease, not everyone can do it. Some people struggle so hard against social regulations that they are attacked by them, while others keep their guard up, and some live in a simple and unadorned romanticism, never feeling that they need to resist or stay safe, because they are born detached.
Everything is predictable: instability and departure are the norm for Christina, and in the end she may get nothing; the pragmatic Vicky will be the kind of person who can't settle the case, of course it is not bad; the artist couple's Generally speaking, the mutual torture will not stop, and most of them will have a bloody disaster. A short vacation in Barcelona can't change anything. What ultimately determines the trajectory of life is each person's own personality and talents. And there are so many imperfections in life. For example, the kiss in the dark room, there was no premeditated, natural, happy but not promiscuous. The road should be so.
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