Seven Neuropathies: The Meaninglessness of Violence

Lupe 2022-04-20 09:01:31


Seven Neuropathies: The Meaninglessness


of Violence 1. Violence: Genetic Inheritance In the


long process of human evolution, violence has changed from helping people obtain meat and resisting beast attacks, to helping people compete for production and reproduction resources, satisfying the desire for aggression and aggression, and then again. The so-called "sense of identity", "sense of dignity", "sense of morality" and so on are inserted into strong bundles.

Those tiny things called "genes", the carrier that drives them - human beings, must do everything possible to ensure that genes are inherited. .When

the survival resources are poor and the more ancient, the more efficient the violent competition for resources, because it is the most simple and direct. Those groups or individuals with stronger violent genes are more prone to violent competition for resources, and easier to win Victory, so as to obtain better living conditions and continue to live.

Just imagine, those ancient people with non-violent genes and incomparably gentle, in the long river of evolution, can only obtain increasingly poor and weak production and living resources, Especially the increasingly poor and weak sexual and reproductive resources. Therefore, this line of genes or genetic material is bound to become more and more scarce or even terminated. Only those ethnic groups with violent genes still have the opportunity to continue to

stumble forward. Today, the reason why we can cross the curtain of history, escape the scissors of nature, and see today's sunshine, who can say that it is not the result of our ancient ancestors fighting all the way under the drive of violent genes

? Individuals are more or less equipped with the gene for violence.
Violence is one of the most important inheritances that genes leave to human beings.


Second, revenge: the violence of "justice"


Gandhi said: "If an eye is for an eye, the world will There are only blind people left.”

Neuropathy No. 1 disagreed: “No, there will definitely be a one-eyed man left, because the last blind man cannot blind the eyes of the last one-eyed man, the one-eyed man just needs to run away or hide. It's all right after the bushes." So, the so-called gods and saints are nothing more than that.

David Fincher takes revenge on behalf of God in The Seven Deadly Sins, Quentin Tarantino takes revenge on behalf of himself in The Hateful Eight, and Martin MacDonald's The Seven Madnesses takes revenge on behalf of himself. The way, combining these two kinds of revenge, is really a black humorous picture of absurdity, and it is really Quentin's saying: "No one comes up here Without a dame good reason".


3. Modern Society: The Art of Contract The


Englishman Henry Main's book "Ancient Law" provides us with an extremely important feature of modern society compared with pre-modern society:
"With regard to our time, we can The general proposition that immediately agrees and accepts is the statement that the main difference between our society today and the societies of previous ages is the extent to which the contract occupies a society
. . . . The old law fixed a person's social status irrevocably at birth, modern law allows him to create a social status for himself by means of agreement."

Since the birth of mankind, it has gone through a long period of time. The age of identity society. In such an era, violence is the most important and even the only means for people to change their so-called "destined" social status.

Until about 500 years ago, the great voyage connected the world, and modern science and technology began to take root and sprout in individual laboratories and small folk workshops. For the first time, The Wealth of Nations clearly depicted this The operating principles and rules of a whole new world.

A contract society is beginning to emerge, and ordinary people begin to have new powers. They can participate in this new collaborative system through contracts and create social status for themselves.

The so-called modern society, it is the art of contract, negotiation and negotiation.


4. Contract Society: Violence is meaningless


The violent factor in our genes obviously cannot evolve to drift away in such a short course of modern contract society. They are still lurking in human memory, in our consciousness.

Some of them will be reckless when they get the chance.

However, more of them are quietly transforming into: sweat and hormones in sports arenas, determination and confidence in business battlefields, bravery and persistence in innovative technology, efforts and motivation to challenge the limits of courage... ...

In the age of the contract society, the original significance of violence is quietly evolving into meaninglessness.

View more about Seven Psychopaths reviews

Extended Reading
  • Maude 2022-03-23 09:01:35

    Is the nunchaku made in China? 2013.11.26

  • Cleve 2022-01-27 08:03:25

    Without the emotion of "In Bruges", I tried to perfect the screenwriter once carefully, like a kind of creative state after taking drugs. It can also be used as a wild imagination when it comes to it. Anyway, it can be a drunk Irishman. The stream of consciousness is written as an excuse to respond to all the criticism of the story, especially the design of the serial killer that kills the serial killer. However, in the unrestrained plot, the emotional tension has not been able to keep up, so I still prefer to be in Bruges

Seven Psychopaths quotes

  • Billy: Is that a guinea pig? It's a gerbil, isn't it? That's enormous. Hey, Marty, we just seen some kind of giant gerbil.

    [Marty punches Billy]

    Billy: Marty, you alcoholic fucking bastard.

    Hans: Yeah, you might wanna stop drinking, Martin, if this is the way you're gonna behave.

    Marty: If this is the way I'm gonna... This guy just telephoned a psycho-killer to come down and psycho-kill us. And this guy's doubting a lifelong belief in the afterlife because of a psychedelic cactus he just ate. And you motherfuckers are telling me to behave?

    Billy: Whoa. Whoa. Time out. What's all this about doubting a lifelong belief in the afterlife because of a psychedelic cactus you just ate? Hans, what the heck?

    Hans: I met Myra. On the ridge. She had some things to say.

    Billy: About the afterlife being non-existent or something?

    Hans: That was the gist.

    Billy: No, no, it might have sounded like Myra. But you know why? Now don't get mad, but you know I can do Myra's voice pretty good. Yeah, I snuck up there a little while ago and I pretended to be her. I started saying all kinds of crazy stuff.

    Hans: Hmm? But what specifically did you say? About the place you were in? The place Myra was in. Huh? How did you describe it, specifically?

    Billy: You mean specifically?

    Hans: Yeah.

    Billy: I just kind of said it was all kind of... I just kind of said it was all kind of gray and shit.

    Hans: No.

  • Hans: My wife is sitting on a chair someplace. Some gray place. I thought she'd be in Heaven, but she's sitting on a chair with a bullet in her head. I thought they'd have cleaned that kind of stuff up.

    Marty: Maybe you've just eaten too many hallucinogenic cactuses tonight, Hans.

    Hans: Nothing to do with the hallucinogens.

    Marty: But you've just seen Myra on a chair with a bullet through her head.

    Hans: In some gray place.

    Marty: England?

    Hans: It seemed a lot worse than that.

    Marty: Wow.