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A more avant-garde film language, grafted with a Western film that pays tribute to tradition
Curtis 2022-04-19 09:01:38
When the movie first started, the director let two characters in suits occupy the center of the shot—the center of visual power, and talked nonstop for a long—enough time center. When the audience just started to use their imagination to supplement the content outside the camera in their own thinking, the director suddenly solved their life. Audiences who have watched countless movies try to snatch the director's narrative power in their hearts, and the director very rudely took it back from them.
Extended Reading
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Myra: Do you ever worry we was wrong all those years, and there ain't no heaven and there ain't no nothing?
Hans: Of course, I worry God loves us. I know He does. He's just got a funny way of showing it sometimes.
Myra: Sometimes I think God's gone crazy sometimes. Stuff He does, stuff He don't do.
Hans: Well, He's had a lot to contend with in his time, too, you know. Bastards killed His kid, too.
Myra: Don't say "bastards", honey.
Myra: It's just a word, Myra.
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Billy: What the hell happened?
Marty: Some punks jumped us. Said they were looking for a little shih tzu. Then some other punk killed those punks.
Billy: I've only been gone 10 fucking minutes!