I think everyone who has watched the Swedish version of the "Millennium Trilogy" can understand why it is said that Quentin and David Fincher are eyeing the English version of this series. The story not only contains typical Quentinian elements such as strong heroine, violence, revenge, and a slashing and smooth plot, but also typical David Fincher-like elements such as darkness, suspense, and ethical thinking. It is conceivable that the excitement is self-evident. What's more valuable is that, from the first to the third, the film has gradually risen from a simple confusing and fascinating detective story to the height of humanitarian care in the entire political environment. The only thing that cannot be understood is why in a country where material civilization has reached this level, there is still such a huge and ugly shady? After all, novels are novels, and they always put appreciation in the first place, but maybe they are really overstated.
It is worth noting that Volvo and SAAB, whose cars are all in the film, are undoubtedly trying to advertise for their native brands. I hope that Volvo, a brand that once enjoyed a high international reputation, will not repeat the mistakes of IBM ThinkPad and become another cup after being taken over by Geely. It may be a bit angry to say this, but at least so far it is true: once the best brand is taken over by our Chinese, it will immediately become a "castrated version" with greatly reduced quality. This is not to propagate reactionary speech, but to hate iron without making steel.
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The Girl Who Kicked the Hornet's Nest reviews
