"I'm going to hunt you down and make you think of yourself and your own life when you walk out of the theater—TF"

Larue 2022-04-19 09:01:40

"I'm going to hunt you down and make you think of yourself and your own life when you walk out of the theater—TF"

It turns out that he is not only a lipstick, but also a successful cross-border in the fashion industry, "art and excellence guide".

Sword of lines:

[You are more like your mother than you think you are.

[Edward, I really try to be what you imagine me to be, but I'm not. 】

[I am not afraid, but I am not happy. 】

[I thought I was the only masked person, I was always keen to make myself the best, but that's not what I wanted. Turns out we are the same. 】

[The point that you love him now will become the reason why you leave him in the future, the reason for your pain.

real world

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Extended Reading
  • Dominique 2022-04-24 07:01:04

    Leaving aside the movie, the gay director's temperament is indeed more delicate and sensitive, but as said in the movie, the other side of sensitivity may be cowardice. I don't think gay directors are more able to hold up the dome of art, because their temperament with two sides is sometimes too delicate and fragile. For a truly great director, it is not enough to be sensitive, but also needs more responsibility, emotion and thickness. Sometimes we are too complimented by such directors, TF and Dolan are examples.

  • Deron 2022-01-27 08:05:41

    What Tom Ford brings is a psychological thriller like an exquisite artwork. The composition, the use of color and the role modeling are ubiquitous. The female protagonist becomes vulnerable in the collapse and the male protagonist becomes strong in the destruction. Reality and the stories of flashbacks and revenge nested in it form two single-perspective narrative lines and character modeling that are symmetrical with flashbacks as the middle point, and each important plot point of the character in this symmetry is also one-to-one correspondence

Nocturnal Animals quotes

  • Anne Sutton: We all eventually turn into our mothers.

  • Ray Marcus: Hey, man.

    Tony Hastings: Hey, man.

    Ray Marcus: You know you're supposed to stop when there's an accident.

    Tony Hastings: I know that.

    Ray Marcus: Then why didn't you stop?

    [Tony stays silent]

    Ray Marcus: [sees the girl using her phone] That won't work. No signal here. You're not supposed to leave the scene of an accident, that's a crime.

    Laura Hastings: After the way you were driving?

    Ray Marcus: How's that? What'd you say?

    Laura Hastings: Just the way you were driving was crazy.