Why did the hand-wounded child seem to have no effect at all? His encounter with the protagonist is also by design?
Why is it necessary to change the name to his friend, and according to the movie, this person seems to have killed him?
Since the film is very clear, the name change is not inherited from the background, but why would alumni send him letters? Is it to give a cover for being investigated by the professor?
Does the old professor’s little girlfriend have any other reasons to stay with him because he admires his talents? But why is there not a little convincing in front of the little girlfriend? Seeing the old professor nagging and frustrated with his little girlfriend, I feel like he is such a petty citizen.
Washington has only the FBI and no COP? This is the reason why the professor never called the police for help when his son was taken away by someone else, even when he knew that he was going to blow up the FBI?
Was the professor secretly renting a car calculated, or why did you decide to start the FBI plan on the day of renting the car?
The professor was in the phone booth and saw a WAGON car passing by in the mirror. Why did he follow him with a suddenly realized expression? How did he know that this company was the company his girlfriend was following?
I can think of a lot about the unreasonable evolution of the plot of the film. A good movie is never tired of it, and a similar good movie cannot stand up to re-watching and scrutiny. If you like the unexpected ending and give this film a rating of more than 4 stars, I think films such as "Small Island", "Sixth Sense", and "Master Key" can withstand this praise better than this film.
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