why? Because she knew that as long as she got on the boat, she could see her son again. Therefore, as a mother, she has no return. Here is a very weird question: Is it possible for "Sisyphus" to fall in love with the endless cycle, out of a certain psychological need, is it possible for him to be because of a certain kind of love, such as "maternal love", he Just...I think it's entirely possible. Many people may think that the plot on the cruise ship is the main theme of the film and the most exciting place. If there is any ideological nature in this movie, we should also analyze the echoing relationship of several characters there, such as the question of who killed whom. But, in fact, all of the cruise ship, that is, this piece that takes up most of the film's time, I think it means nothing more than punishment. With a panoramic expression method, it shows God's punishment for Sisyphus. As a horror film, it is emphasized to render it, and it constitutes the basic form of its alien horror, which is understandable. But this is just a gimmick for it as a horror film...
The real thinking actually started after she went ashore, when she saw the child and saw that there was a woman at home. This time period was the most active period of the protagonist’s thinking, because after she lost her memory on the boat, everything behind was What was destined to happen, although "deep memory" told her again and again-"she may have been in this place", but destiny did not seem to change its inevitable direction. After n cycles on the cruise ship, the actual Shang's mental state has changed from "confronting her own destiny" to a compromise with her own destiny. Especially after she went ashore, she killed another herself and saw a large swath of dead birds on the beach. I believe: That At this moment, she had completely accepted the fate of Sisyphus, the beautiful little harbor, the sun was shining brightly. The dying son who longed to see was right in front of him. As long as she continues this game, she will be able to see her son. Therefore, even if she becomes Sisyphus, there is a process of psychological transformation. In this process, there is not only the will of God, but also her willingness. It heralds a terrible tomorrow, maybe this is the director's thinking about where humanity will go...
Such a warm horror film is really a bit hysterical. Once a woman has a child, she becomes a slave to love. I think this film extols part of the greatness of human nature and is a redemption. In fact, as long as the heroine herself is willing, the endless loop can end immediately. The method is: don't get out of the "taxi" and be with the god of death, she will be able to leave this endless loop. But she didn't, she got out of the car. Why? In order to be able to see her son again. "Son" as an abstract carrier is the only love she can't let go of. And this is precisely the cruelest way to punish a woman! "The existence of the son" is the vitality that the trending big rock rolls forward and never stops. As a mother, she wants to save the child from it, that is, to save the "person" from his destined destiny-but the movie tells us that this is a useless struggle. From this perspective, "Triangle" is quite world-weary, so decadent that people want to die...
Of course, everything mentioned above is probably "I didn't understand". The key point is to judge the time she lost her memory. At this point, the movie has too many symbolic things, so the introduction is a bit vague. Maybe it was after she got on the boat, or she was smashed on the tanker and fell into the water. Because this is an endless loop, it is hard to find where the "starting point of amnesia" is. My analysis is only based on the former possibility. If someone uses the latter possibility to deduce, perhaps there will be another conclusion. Being a movie can give everyone a different or even completely opposite experience, which in itself shows its great success...
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