. The cocktail party on the train is very good. The transformation from a man to a woman, i am a girl really takes place on the narrow, centralized representative symbol of the train.
The screenwriter's brain hole is also very good. Josephine tested the extraordinary skills of the actors in the instant transition of gender between several scenes. Needless to say, the heroine, the starring Monroe hardly saw any flaws.
The plot of the underworld chase can be regarded as running through the main line, and the final explanation is also very satisfactory.
The above are the plot impressions and
the following are other impressions. The
heroine wants to marry a gentleman (millionaire) who wears glasses and reads the lengthy special issue in the newspaper. He feels that such a man is relatively helpless (?) The saxophonist is so fascinated, but always being self-motivated and abandoned, the heroine thinks that maybe she wants to expect a cruise, gourmet, and a luxurious romantic life.
As for why the heroine has such an idea, it is actually the most introverted contradiction in the movie. At the end of the plot, the heroine finds out that the gentle and helpless oil tycoon is actually a poor boy saxophonist who pretends to be his best friend. , or resolutely caught up with their escape route and eloped with the poor boy. In the last scene of the film, Monroe's line "I know everytime" basically determines the focus of the entire film. The director wants to express a lot of connotations in this sentence. He probably thinks that women are like this, huh.
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