In the middle and late stages of the movie, I thought it was an absolute masterpiece, until the identity of the original killer of the male protagonist was revealed, which was absolutely unexpected. The world's top killers can't turn their faces when they turn their heads, but as a mainstream American movie, the success of assassinating the prince cannot be the ending. The male protagonist must promote social justice and cannot let the prince be killed. He must betray the organization and save the people from danger. In this case, it is necessary to find a perfect reason for the male protagonist to correct his evil and return to the right. This seems to be a bit difficult, so I am eagerly waiting for the director to complete the plot.
But then the director slapped me in the face again: it really means turning my face, turning my face, and turning my back on your brother-in-law. I was hit in the head and wanted to save the Saudi prince. I don’t need to be like Qiao Feng’s father. Need to be enlightened by a monk.
If the movie is extended for another half hour to complete the plot of the male protagonist turning evil and returning to justice (for example, thinking of his sister who starved to death due to lack of food, even if it is okay to be bloody), I would not hesitate to give it five points.
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