The end of the sun

Andres 2022-04-20 09:01:22

The first time I saw this film, it was in a magazine. Later, when I looked for it, I struggled a bit, because the DVD was printed on the end of the sun. Compared to this, I prefer the translation of the road to destruction, and I don't like everything. What is the translation of the routine? The end of the road, the mad flower, the end of the love god, the
end sun, and the general mobilization of the special forces.
First of all, the poster of this film is mainly black and green. The father and son on the poster are very meaningful,
which is more often than domestic movie posters . Much better, secondly, I entered the
Celtic-style soundtrack of the film, and it also rendered the opening scene very meaningful. Among them, the relationship scene of the mother standing by the bed is in place, and the action of Hanks covering the gun. The shot, this is a shot that requires a lot of director skills, making the taciturn Mike's character more full, and then it is more outstanding when the child peeks at the shooting process outside the house, and the relationship shot is also in place, and then the wife and the youngest son were killed, the director did not Use an intuitive way to show how they died and how sad they are, but leave more parts for revenge, the ending of revenge is always tragic, because this story is too famous and too typical, so only do it in the camera. Kung Fu, the film will not be boring, so it is very important to arrange Mike's death. After a series of revenge is over, the picture is calm, so calm that the audience wants to end like this, father and son are happy together, and then arrange Jude Law's killer Come on, imagine what this scene would look like in John Woo? In Menderson, the death of the father is the pain and memory in the son's heart forever. In the end, the child leaves all of this, but he always remembers that the father in this film became a positive image because of his love for his son. Expectation and advice are also the best emotional point of this story, but the most difficult point, a story has countless ways to tell, and the director used all the shots and actors to perform, serving this point.
I think that although the film is generally entertaining on the surface, it feels quite satisfactory, but it actually has a solid audio-visual language and has a good reference value!

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Extended Reading
  • Philip 2022-03-22 09:01:25

    The gang boss in the film is too protective of the calf, but it is a pity that Hanks finally broke with his foster father. The movie as a whole doesn’t understand sons are born to bother their fathers

  • Tillman 2022-04-22 07:01:05

    Tom's temperament is suitable for a loving father and a filial son, but it is a bit inconsistent with the killer~Some parts of the rhythm are not very compact~The picture and music are super good~

Road to Perdition quotes

  • Finn McGovern: You tell your father my brother never stole from him. I've checked the books. He never sold no booze to no one. Every single barrel is accounted for. Anyway, if he stole it, where's the money?

    Connor Rooney: The fuck should I know? Did you check his mattress?

    Finn McGovern: Or maybe you should check yours.

    Connor Rooney: Look, there is something immoral here. Don't you think so, Mike? My beloved father throws your undeserving little brother the wake of his life and-and this, this is your "thank you"? What a hideous world this is.

    Finn McGovern: You think you're so smart? You think we don't know? I mean, you've been spending so much time in Chicago...

    [Connor takes out a pistol and shoots Finn in the head, and a machine gun battle ensues]

    Michael Sullivan: What was that?

    Connor Rooney: We're out of here.

    Michael Sullivan: Jesus Christ, Connor, what the hell are you thinking?

    Connor Rooney: [noticing an obscured figure nearby] What's that?

  • Annie Sullivan: [seeing John Rooney at the house] What's he doing here?

    Michael Sullivan: Michael was hiding in the car when I went out last night.

    Annie Sullivan: Oh, Jesus, Mike.

    Michael Sullivan: I've spoken to him. It won't happen again.