The United States is a country that advocates individual heroes to the extreme, and does not pay attention to the so-called materialist philosophy of history, which is created by the people. Personal heroism has become a mainstream psychological need in modern society—whether it is foreign or domestic. Therefore, no matter what the plot of various films in this category, as long as they are produced in the United States, they can basically guarantee a good box office.
The hero of "Air Rescue" is an air marshal who interprets decadence to the extreme: a series of problems such as the death of his daughter, alcoholism, marriage failure, and job loss haunt him, making him feel an unprecedented bad and embarrassing.
It is at the darkest point in life that his luck can indeed be said to be a little bit worse. The flight he was on was hijacked and kidnapped. He was suspected of being the initiator of the hijacking and kidnapping. The lives of 150 passengers on the plane were threatened. The passengers stood on the opposite side of the marshal. The support is also full of doubts about the in-flight situation he described... Every minute I watch it, I really have a question, can the director and screenwriter really tell the story well?
The foothold and background of the show are quite novel. A hijacker who invaded the marshals threatened the marshals with the lives of everyone in the crew, contacted the ground security bureau, and deposited $150 million in his own account. The main plot of the story is to find out the anonymous hijacker through suspicion and denial. , and ultimately saved the lives of 150 passengers on the crew.
The marshal could not get the support from the ground, and had no advanced technical analysis. He relied on constant search evidence to find the clues left by the hijacker, but he followed the other party's way and fell into a passive situation step by step. The play is 106 minutes long, and it is expected that in the first 80 minutes, everyone (including moviegoers) will know nothing about the identity of the kidnapper.
Similar to all suspense dramas, the layout of the case is complicated and confusing, creating a complicated and unsolved situation for all audiences. But the key to unlocking this intricate situation was only a slight twist, and the whole thing turned around.
The appearance of evidence and the coincidence of events can still make people feel a little far-fetched, which is a common problem with most suspense and thriller movies-can't stand careful logical reasoning. However, despite these, the marshals were still able to make a decisive and quick judgment under the circumstances of being under suspicion and pressure, and reversed the situation under absolutely unfavorable circumstances. It can be said that it was a very pleasant ending.
In general, this is a typical individual heroic film, with a complete plot, climaxes, bewildering, and unique creativity. It can be regarded as an American-made film with many bright spots in the same genre, right?
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