size of conflict, Reivew on Non-Stop

The size and number of conflicts are probably important criteria for determining the brilliance of a story. Conflict must be even or seemingly insurmountable, and it can be the strength of the enemy or the weakening of our own. The conflict in this film is due to the traps set by the bandits, which causes the protagonist to lose almost all trust and fight alone, but step into the designed traps every step of the way, which is very exciting.

Before the murderer appears, do you want to leave some clues to the audience? Personally, I hate the end of the story. The culprit is insanity, ghosts, or any passers-by or other factors that have not been explained before. If viewers with intelligence or memory, such as mine, miss clues that are too weak, they will feel that the culprit who suddenly pops up behind them is abrupt, and they talk too much to explain their motives. The purpose of the culprit may not be money, or it may not be on the plane, just take a picture of a minion, such as a big boss, or some kind of cult belief caused by persecution.

In the end, the two couples have come out for business, and the happy ending of a happy reunion will appear in any situation. Will people really not get tired of watching it?

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