If life is just as first seen, what is the autumn wind and sad painting fan.
I am a perfectionist but how powerless I am in love. If I wasn't Jewish, wasn't an extreme ideologue, and thought like the masses, we wondered if we could be as happy as those couples on the side of the road.
I'm not that confident, but Ive made me more confident in love. I like his humor and wisdom, but his three views are a bit difficult for me to accept, and sometimes I even think that we may not be suitable for Together. We roamed each other's past as how disgusting your ex-boyfriend was to me and how your ex-girlfriend hated your conspiracy theories, but I found that we couldn't go into our memories at the same time. If we were still like the first time we met, maybe there would not be so much sadness.
Woody Allen is a director who is good at breaking the rules. Compared with most of the movies "Annie Hall", this movie is more like a tragedy on the screen. The director's chaotic narrative also consists of multiple segments. In this multi-act play, it retains a lot of dramatic elements and incorporates some surreal elements, especially when it uses psychological montage: narration, voiceover, OS and memories, etc. This method not only allows the audience to have emotional resonance and communication, but also turns passive acceptance into active acceptance. You can feel the sense of humor, sadness, and joy that this kind of over-the-space dialogue brings to you. The director also broke the Stanislavsky performance system most often referred to in the play, the so-called "fourth wall". Woody Allen chose to break this wall and chose to overthrow it like Brecht. Block the wall, allowing the audience to experience the film more immersively and realistically. This also allows this love film to get rid of some of the deceptiveness of the movie, but use some dramatic forms to lead the audience to a love story that is closer to reality.
In terms of narrative structure, director Woody Allen chose a chaotic linear narrative method. The beginning of the film is a narration brought to the audience by Avicinger. The director did not choose a linear narrative like most romance films to directly form encounters and love. Separation, but completely disrupted it, but turned into love, encounter and separation. This unique narrative method is not only to leave some reflections on the audience, who are they, what is their relationship, and how do they know each other, as for these directors Putting it in the back is to express the director's belief that love is so bizarre and disorderly in real life. I think the reality is also true. People in love forget the original appearance, live in the present, love in the present, and when you reminisce about the past, the future has come with a crisis.
In terms of character settings, Woody Allen has also innovated. Avi Singer, a Jew with a bit of wretchedness and talkativeness, subverts the audience's perception of the male protagonist in the public sense. Compared with romantic films such as "Roman Holiday" and "Blue Bridge", "Annie" Hall looks like a comedy at times, Ivey and Annie just met for a tennis match and not so romantic, and Ivey is not a suave and handsome gentleman. In this film, this did not affect the love story of the two, but stimulated the audience's interest in such a fresh role. Ivey is a left-wing intellectual. Pride and prejudice have formed a state of self-closure. At the same time, according to Freud's theory of personality, Ivey is mostly in the id, which is the most primitive self. Ironically, after seeing a 15-year-old psychiatrist, Ivey was still in his id when he got along with Annie, which is one of the important reasons for the breakup of the two. Perhaps this reflects the contradiction between the leftist intellectuals' love and love. Confused, when roses and spiritual bread become a paradox in their eyes, they may be more inclined to bread, maybe they are all missing an Annie Hall.
At the end of the film, the camera chooses a peep-glass lens, and the two appear very insignificant in the eyes of the audience from a distance from the cafe, implying that the relationship between the two has been so small in the whole environment that it is about to disappear. There is no close-up and it is no different from the surrounding pedestrians. In the end, love is not as great as people call it, it is so real, so ordinary, and a little small. The last parting was made in a hurry. Under that traffic light, Annie was still red when she didn’t leave—don’t walk, and after Annie left, it became green—walk. This delicate setting may be Ivey’s inner monologue. The green light will still be on, and Annie will eventually leave. Love always has a trace of regret at the end. Woody Allen directly took off that mask and hit people's feelings. The end of love is like waiting for a red light, even if you can wait, like the ship of Theseus, Will it be the same Annie under the same red light next time?
Later, I arranged our story into a drama. In the drama, you didn't leave me, but in reality we were divided and closed, and in the end, we couldn't escape the cruelty of love.
Later, I went to Manhattan and had a new social circle. I took him to watch my favorite movie, but no one talked to me about this movie for a long time.
Perfectionist, after he experienced incomplete love, love began to deteriorate in his eyes, absurd and crazy. At this time, most people need an egg like him.
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