About the murderer: First of all, it can't be the delivery boy: 1. From the perspective of the whole play, the murderer has a very strong verbal skill, and can guide the male protagonist step by step. This does not match the image of the deliveryman as soon as he appears, unless it is explained that he has a split personality (as for the voice, the voice can be changed) 2. From the perspective of the thriller, it is obvious that the real body of the murderer is shown low method. So it's obviously not a takeaway boy. 3. The murderer is not actually an actual individual, which will be analyzed later. Regarding the highest goal: The highest goal of the male protagonist may be to gain recognition, but it cannot be ignored that in the content of the phone conversation, the other two people who were killed are mentioned many times, and "they could have died" "you are doing The best of the best", meanwhile, the killer has been leading the protagonist to speak out about his own crime, making it public. I think that's also what the other two victims were asked to do, but they didn't do, which was repentance. . . When looking at Western works, one cannot but consider their culture. Rooted in original sin, repentance is one of their themes. Throughout the film, the murderer has always been in the perspective of God, knowing everything about everyone, even the sheriff's private life, and the murderer has always asked the protagonist to disclose his crimes. Until the end, the protagonist will be shot, especially after the so-called murderer's hiding place is exposed, but he is not dead, because he has confessed everything at the end, and this is also his turning point. The murderer knew almost everything, everything about everyone, and finally the appearance of the man in white. I don't think there is an actual murderer at all. The murderer is God, that is, morality.
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