After watching it, I was silent for a while, and the film was automatically replayed, returning to the scene of the mother and daughter lying on the bed at the beginning. The relationship between them becomes the conflict that spans the entire film. The heroine wants to go to New York to pursue the so-called "prosperous rich life", and the mother prefers her to stay close to home for economic reasons. I think behind this contradiction is love and separation. She wanted to leave because of her love for her parents. Her mother often complained about the trivial and trivial life of poverty. The heroine became the carrier of her mother's unfulfilled desires. She wanted to enter another world for the sake of her family. The mother, on the one hand, is jealous, jealous that cannot be expressed, or jealous that she is not aware of. She is sacrificing herself for the survival of her family, while her daughter is in her best time, profligately profligate, and even hides her vulnerability as her daughter. On the other hand, there is an unbearable separation. You must face the fact that her daughter is an independent individual and is ready to fly away. The higher she goes, the farther she goes, which means that she is getting older and dying.
But fortunately, I hurt you, but you also know that I love you. In addition to seeing the hurt, the care of love always exists, they always know that the other party loves them, and the heroine's father plays the role of silent support. I think that's why, instead of losing herself on the road, Miss Bird chose to get out of the car and walk into the ball with her best friend.
In addition to the influence of family, the influence of class is also very obvious, beautiful streets in wealthy areas, and completely different aesthetic tastes. At the end of the film, Bird finally arrives in New York, where people don't believe in God at all and only listen to hits with contempt. These problems are also in our lives, small town youth, cultural sinking, urban elites, these differences are highlighted in the way of aesthetic taste. Taste in clothes, taste in home decoration, taste in music and movie exhibitions, maybe taste itself is not offensive, but isn't it a privilege? When we despise the superficial and boring people who use Douyin.
There are too many shadows in each of us, family, social culture, era background, class, region... These comprehensive factors shape the mysterious self, and it is everyone's mission to understand and promote self-development. , and the biggest problem in life. Or are you really you, is the movie you like really you like, it is probably just a preference influenced by these factors. Going on like this, it seems that you can only believe in fate, no wonder there is Catholicism in the movie. Today, when all beliefs are falling apart, what do we use to determine our own existence? The youth in the movie is so good, and we can explore and confront fiercely. Today, we are more of not taking risks and not longing for the Buddhist system to lie down and die to the end, and what we can hold in our hands is the small luck of a cup of milk tea.
I don’t want to be pessimistic and dispel the meaningless, I hope to be able to shape my own, personal and private life interests, so as to establish who I am. Respect yourself and everyone on the road.
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