After watching this film, the first thing that comes to my mind is Lorde's "Royal". It seems that all youth films are like this. Every protagonist who is a young man in a small town will want to go to a bigger city to see it. In his mind, which is evaluated as "weird" by the people around him, there are unrealistic, Vanity idea. But just like "I've never seen a diamond ring" in "Royal", it seems that such a flashy life does not belong here, it does not belong to this small world that only exists in itself. But the older we get, for our own vanity—or to put it in a more high-sounding way: "motivated", we will always come into contact with those different people, and we will understand that there are good and bad in this world. When I was young, I had a friend of Bichi, and when I first entered my house, I started to sigh: "Wow, why is your house so small, there is no piano in the living room!" Bringing friends home... This small town carries our ordinary lives, but maybe there are also those relatively extraordinary lives. But what does ordinary mean? What does extraordinary mean? Are those chosen by God really living the life we imagined? Maybe not... The characters in "Miss Bird" are like this. But there doesn't seem to be much to say. Lucas's role with excellent resources is very "routine" this time, different from the two young boys in "Billboard" and "Hyman" who are both pulled by two emotions... He played this time Is a deep cabinet who likes musicals. First of all, not to mention that GAY loves musical stalks. When he sang the excerpt from "into the wood", I felt a little faint... Especially like my ___ friend's sweet tea this time, I played it with CMBYN. It's completely different, but it makes people suspect that this is his true character... After all, it's really rare to see people who are as innocent as him! ! ! Nominated for Best Supporting Actress, Mother Bird was the mother she remembered throughout the show: Can't speak, irritable, and vulnerable. In the end, she went around in circles and returned to the airport to send her daughter off in a one-man show. The impression left in my heart actually surpassed the performance of the heroine in the audience. But in the end I have to admit that Ronan is still the soul of this movie. Although she is a few grades behind Sally Hawkins in "The Shape of Water", she has at least caught up with Mrs. Cohen in "Billboard", or even better than her... Maybe this is the power of youth. Ronan and Miss Buniao, it can be said that they are perfect for each other. She played that ordinary and not so ordinary, ordinary and not so ordinary, ordinary and not so ordinary - us. Then, there may be only one way for ordinary people to go. One is also a good thing, at least it won't go too far. That is... in the days when you will always feel "very ordinary", look for that little "uncommon" to satisfy yourself. Even if others will laugh at it, so what? I still don't like the usual "redemption paragraph" of the last youth film; I also don't like the domineering look of Miss No Bird in the front, because it will always be replaced by herself (perhaps there is no need to add 'young' before 'self' ' three words). So I don't know how to explain...why I like this movie so much. It's like a good word doesn't necessarily mean good meaning... But surely "love" must be bigger than "like"?
View more about Lady Bird reviews
