too cow
First of all, let's not talk about the plot. Ang Lee's filming and editing are really too good. In the fight part, he uses the front and back to express the kung fu You come and I go and the opposite of the two sides. The panorama is better for the performance of tricks and actions, and the close-up is better. Showing each other's psychological changes The top camera shooting is also the icing on the cake. As a martial arts film, the composition of the aerial scene and the distant view is also too good. Every composition is a cure for my obsessive-compulsive disorder. The colors of the flowing water are distinct and the background sound is full of classical Chinese style. The Chinese flavor is full of flavor.
Secondly, from the perspective of the plot, there are two tragic love stories. One is quiet about ethics and deep love cannot be spoken. The other is trapped in the secular identity difference and decides to separate. Under the multiple changes of love, family, sister, teacher and apprentice, this willful girl finally decided to face the rivers and lakes she longed for alone. Leaving under the wishes of Xiaohu is even more reflective, while Li Mubai is trapped in ethics and tried to put down the sword and put it down. But he still can't forget his master's feud. His grievances and grievances are doomed to be unexplainable, and the sword thief who is unrelated to the festival will let himself be with Xiulian. The relationship with Xiulian made him unable to let go of the world, his teacher feud and the desire to accept disciples also made him unable to let go of the rivers and lakes, which was also doomed that he would not be able to understand the truth, but his sincere confession before his death moved me. Crouching Tiger, Hidden Dragon
View more about Crouching Tiger, Hidden Dragon reviews
