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People never change
Eliza 2022-04-20 09:01:13
To paraphrase a sentence from the play, to express what I think the film is trying to express 'Life is motherfucker'. This film is a big step for Daben to transform into a director. No matter the expression of the plot, the way of shooting, the views expressed to the audience, or the acting skills of the actors, they are all remarkable. The first time I thought that person was the murderer, but he would receive a slap in the face quickly. When it was finally found out that the black man was the murderer, the dialogue between the protagonist and the black man was the climax of the film. (Actually, I think the male protagonist knows that Amanda's mother even remembered the name of Amanda's favorite toy wrong there. She should regret her decision to walk out and send the little girl home.) Finally, I still want to complain about the male protagonist. Girlfriend, what is her role in this film? Are you sure it's not a male lead's follower? Moreover, in the end, the disagreement with the male protagonist was a bit abrupt. → Movie viewing experience: Things can change, but people never change. People only can die.
Extended Reading
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Officer in Procession: [approaching Patrick and shaking his hand] Mr. Kenzie. Nice fucking job on Corwin Earle.
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Patrick Kenzie: I'm calling state police in five minutes. They'll be here in ten.
Capt. Jack Doyle: Thought you would've done that by now. You know why you haven't? Because you think this might be an irreparable mistake. Because deep inside you, you know it doesn't matter what the rules say. When the lights go out, and you ask yourself "is she better off here or better off there", you know the answer. And you always will. You... you could do a right thing here. A good thing. Men live their whole lives without getting this chance. You walk away from it, you may not regret it when you get home. You may not regret it for a year, but when you get to where I am, I promise you, you will. I'll be dead, you'll be old. But she... she'll be dragging around a couple of tattered, damaged children of her own, and you'll be the one who has to tell them you're sorry.
Patrick Kenzie: You know what? Maybe that'll happen. And if it does, I'll tell them I'm sorry and I'll live with it. But what's never gonna happen and what I'm not gonna do is have to apologize to a grown woman who comes to me and says: "I was kidnapped when I was a little girl, and my aunt hired you to find me. And you did, you found me with some strange family. But you broke your promise and you left me there. Why? Why didn't you bring me home? Because all the snacks and the outfits and the family trips don't matter. They stole me. It wasn't my family and you knew about it and you knew better and you did nothing". And maybe that grown woman will forgive me, but I'll never forgive myself.
Capt. Jack Doyle: I did what I did for the sake of the child. All right. For me, too. But now, I'm asking you for the sake of the child. I'm begging you. You think about it.
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