Dilemma

Nakia 2022-04-19 09:01:23

marvelous! A very wonderful movie.

As a suspense film, the film is stripped layer by layer from beginning to end. Every time you feel as if you've got a little bit of an understanding, there's a twist in the plot. Moreover, these turns are so natural, not far-fetched. The beginning of the film is unremarkable, but with the twists and turns, it gradually reaches its climax. This is the best way to tell.

Although, as a film adapted from a novel, I believe that such an excellent plot arrangement is mainly due to the novel itself. But the skill displayed by the director is really good. It is quite difficult to express such an interlocking plot so smoothly and naturally. No wonder many people say that Ben Affleck's directing talent in this film is far better than his acting skills as an actor.

The end of the film is also quite brilliant, reminds me of a word, dilemma. Indeed, this is really a dilemma, you can hardly say whether Patrick's final choice is right or wrong. Obeying the law, mother-daughter reunion, it seems so politically correct. But at the end of the film, when the cute little girl says that the doll's name is actually Annabelle, is the answer still so certain? A mother who even got the name of her daughter's beloved doll wrong, is she really more suitable for raising this little girl? Even if she is the biological mother of the little girl. The little girl looked so cute when she said "Annabelle", but my mood wasn't cute at all. From the momentary change in Patrick's expression, he was clearly confused too. Obviously, Patrick himself did not know whether he made the right choice. And me? I'm also very confused, right? Is it wrong? I can only pray that I myself had better not face such a dilemma in my life.

Of course, such a film must be savored in a leisurely mood.

:-)

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Extended Reading

Gone Baby Gone quotes

  • Officer in Procession: [approaching Patrick and shaking his hand] Mr. Kenzie. Nice fucking job on Corwin Earle.

  • Patrick Kenzie: I'm calling state police in five minutes. They'll be here in ten.

    Capt. Jack Doyle: Thought you would've done that by now. You know why you haven't? Because you think this might be an irreparable mistake. Because deep inside you, you know it doesn't matter what the rules say. When the lights go out, and you ask yourself "is she better off here or better off there", you know the answer. And you always will. You... you could do a right thing here. A good thing. Men live their whole lives without getting this chance. You walk away from it, you may not regret it when you get home. You may not regret it for a year, but when you get to where I am, I promise you, you will. I'll be dead, you'll be old. But she... she'll be dragging around a couple of tattered, damaged children of her own, and you'll be the one who has to tell them you're sorry.

    Patrick Kenzie: You know what? Maybe that'll happen. And if it does, I'll tell them I'm sorry and I'll live with it. But what's never gonna happen and what I'm not gonna do is have to apologize to a grown woman who comes to me and says: "I was kidnapped when I was a little girl, and my aunt hired you to find me. And you did, you found me with some strange family. But you broke your promise and you left me there. Why? Why didn't you bring me home? Because all the snacks and the outfits and the family trips don't matter. They stole me. It wasn't my family and you knew about it and you knew better and you did nothing". And maybe that grown woman will forgive me, but I'll never forgive myself.

    Capt. Jack Doyle: I did what I did for the sake of the child. All right. For me, too. But now, I'm asking you for the sake of the child. I'm begging you. You think about it.