Many small details, the director portrayed them very vividly. There is always a voice throughout the film.
The clatter of typing, the concerto of the march, is gripping, but only when Briony comes on. It's inner tremors, tensions and fantasies, and even a little compulsive hysteria. When she was a nurse, when she washed her hands with a wooden brush, did she feel guilty, did she feel the shame of changing the lies that upended other people's lives. To her, I am angry and puzzled, how at the age of 13, I can't tell right from wrong, which is more important and which is less important. Perhaps it was the deformation of his love that made everything detached from the innocence and beauty that it should have had. But, at least, it should be blessed. At least, both of them are their dearest loved ones. The anger was still waiting for the completion of the redemption, and when she understood the meaning of the name Tallis she used as a nurse, she smiled. His surname, even if I don't get your forgiveness in this life, I will use your surname as your wife. Just because I met you when I was in love.
However, there will never be a chance and mercy. When I saw the memories of Briony's white-haired heart still throbbing, I was moved. Perhaps, when a person is about to die, his words are also good. After a lifetime of guilt, he can finally have a chance to breathe, and he slowly flicks the thread and makes a confession. Even though, in the end, she used the phrase "I gave them happiness." to draw a bland full stop. She was moved by her sincerity, but she couldn't forgive her cowardice. She never prayed for forgiveness positively, even when her sister Next to the orange apartment wall, whispered "Cecilia, I'm sorry". Perhaps the original book has a more detailed description of the Dunkirk retreat, and the vague memory of that period of history remains puzzled by some details.
The letter, with its slightly terrifying and ridiculous words, seemed destined to be misplaced in the envelope, and it was also destined to be kept in the library. Where is the real turning point and intersection of the relationship between the two? The unreasonableness by the fountain, the provocation of the content of the letter, or the unspoken love from two different life circles for a long time. It doesn't matter, what matters is that life gives them the opportunity to love deeply and the desire for happiness, even if the white hut by the sea is always the pixel on the photo, and it is always the pillar of spiritual thoughts.
But, always, it existed, she existed, he existed.
Zhenyeol's feelings have their reasons for existence and the idea of choosing to persist.
enough.
A young crush is a test of his naivety and cuteness when he falls into a river. It is the joy and joy after being proved. In fact, I don't know, it's hurting the soul. However, how could the young innocence think so much? Just rely on eyes, ears, fantasy. It is precisely because of this that enchanting fruits were planted when the flower of affection was in bud, waiting for fate to slowly open the curtain of tragedy.
The dream as Robbie slowly falls asleep, 3 scenes, is a sign of a sharp emotional turn. I like the scene where he walks forward with his luggage under the scorching sun, and gradually disappears in the sea of red flowers. Does it symbolize a road of no return, a bloody road to fight for justice and light? But that's not the point of the film, the pain under the black and white kissing screen, meditating:
"Find you, love you, marry you and live without shame."
is more touching.
"Robbie Turner died of sepsis on June 1, 1940 in Brar-Dunes, the last day of the Great Retreat.
I never got forgiveness from my sister Cecilia, because she died on October 15, 1940, The bomb ignited the gas cylinder, and the water pipe at Balham Station."
…
The sad cello at the end of the play, who is crying?
Who betrayed the soul in silent jealousy, and who survived on the spiritual support in the long separation?
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