Inspiration for shooting techniques

Charlie 2022-04-23 07:01:26

Although the chaotic plot is not comfortable to watch, it can be seen that the director's skills are profound. Except for the use of individual shots, it seems very funny now, but the last shot at the end is full of humor and real expressions. Indications, the confusion and depression of the settings are very interesting. 1: Being ridiculed in the dark is not the first time the lighting used has the silhouette effect borrowed from Hitchcock's Psycho 2: The repression of the little person is passed by the grown-up for the pattern His bourbon demands The
only understanding is that the wife is sad. Secure is true from respect Seeing that he was using the waiter's consciousness of others
3: The close-up scene at the end is too perfect.
This is the truest look of the future of
love . Unspoken.

The yellow bus is heading into the distance.

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Extended Reading
  • Kattie 2022-03-23 09:01:25

    The Sound Of Silence ......I never thought that such a title tells such a story, and it still feels weird. At that time, Dustin Hoffman was so young, but an aunt like Annie was not very attractive to me (it was originally to attract Benn.) The type of love between them also went on inexplicably. ……Photography is so strange, all kinds of "outdated" push-pull telescopic zoom lenses are so unnatural; …music bonus points!

  • Tiara 2022-03-21 09:01:23

    The growth of a man requires a woman who takes him to orgasm and a woman who is brought to orgasm by him.

The Graduate quotes

  • Mrs. Braddock: [Ben is shaving in his bathroom] Oh, my.

    Benjamin: Hi.

    Mrs. Braddock: Hi, can I talk to you for a minute?

    Benjamin: Sure.

    Mrs. Braddock: Benji... darling, I'm, uh... going to ask you something, but you don't have to tell me if you don't want to.

    Benjamin: What?

    Mrs. Braddock: Well, I was going to ask you what you do when you go off at night.

    Benjamin: When I go out?

    Mrs. Braddock: You don't have to tell me, if you don't want to.

    Benjamin: No, I do, i want to tell you: I drive around.

    Mrs. Braddock: What else?

    Benjamin: Nothing else.

    Mrs. Braddock: Well, you don't drive around from midnight til noon the next day, Benjamin?

    Benjamin: Oh, no.

    Mrs. Braddock: Well then, what do you do? Do you meet someone?

    Benjamin: [Benjamin nicks his finger with the razor] Meet someone?

    Mrs. Braddock: Hm.

    Benjamin: Why do you say that?

    Mrs. Braddock: Well, this is your business. I won't play games with you.

    Benjamin: No wait, wait! I don't meet anyone, Mother, but why do you say that?

    Mrs. Braddock: Benjamin, I don't want to pry into your affairs, but I would rather you didn't say anything at all than be dishonest. Good night.

    [Mrs. Braddock leaves]

    Benjamin: Well, wait! Wait a minute!

  • Mrs. Robinson: [gets into Benjamin's car] Drive down the block.

    Benjamin: Mrs. Robinson, Elaine and I have a date, we're going for a drive.

    Mrs. Robinson: [angrily] Do exactly as I say!

    Benjamin: [Ben drives down the block] Now, it seems to me...

    Mrs. Robinson: Listen very carefully to me, Benjamin: You are not to see Elaine again, ever! Those are my orders, is that clear?

    Benjamin: Mrs. Robinson, do you think...

    Mrs. Robinson: I can make things quite unpleasant.

    Benjamin: How?

    Mrs. Robinson: In order to keep Elaine away from you, I'm prepared to tell her everything.

    Benjamin: [Ben stops the car] I don't believe you.

    Mrs. Robinson: [threateningly] Then you better start believing me.

    Benjamin: I just don't believe you would do that.

    Mrs. Robinson: Try me.

    [Ben gets out of the car]