Overall, this is a crime movie in a sci-fi guise. And the key reason why I can say that this film is successful is that it has a background of ruin culture. The entire city has almost become a ruin after a huge nuclear disaster. Although there is a wall across it, both inside and outside the wall are ruins - outside the wall is the ruin of the material building, and inside the wall is the psychological structure. of the ruins. Ruin culture always gives people a sense of vicissitudes of life, it looks worn and decayed everywhere, and the film is dressed in a sci-fi coat, so from the background alone, the overall feeling is elusive, it seems that every scene is by our side, and it seems to be far away from us . I don't know how the dirty neighborhoods of the country have become the prototype of the dilapidated streets after the nuclear war. What Indians will feel when they see it, I guess it should not be too comfortable. I just talked about the first feature of ruin culture, and now let’s talk about the second feature—disorder. The ruins are all disordered. Just look at the rotten ruins of the Yuanmingyuan, and you will know immediately. Who would destroy in an orderly manner, so the ultimate ruins are disordered after all. Moved to the movie, it is reflected in the chaos and commotion in the city. In the words of the movie, "12 cases happen every minute", which is quite a terrible number. This is followed by the third feature, which is also a method that cannot be implemented in a legal society—repressing violence with violence. When I watched Donnie Yen's "The Fuse", I obviously had this experience. Although the filming of the film was already very violent and bold, because it is based on an orderly society, it is inevitable to be timid when telling a story. For example, the time is indicated at the beginning of the film. It was before the return of Hong Kong, and the purpose was obvious. Only in this way can the violent stories in the film be slightly cut off from the real world. This is definitely a cover up! "New SWAT Judge" relies on a very convenient background of ruins to make all actions free. Dredd is not only a policeman, but also can pronounce sentences according to the law, and finally can directly enforce the law. It is really a trinity of public security and law. In a bustling city in desperate need of rebuilding, I think it's a must. There are a lot of violent scenes in the film, such as slow-motion headshots, such as heavy machine gun bullets passing through the bodies of residents. It is the rendering of these scenes that makes us see the need for SWAT judges to use violence to suppress violence. There is a bit of "pleasure and hatred" flavor. That year's "Future Water World" can also be regarded as such a film. Therefore, controlling violence with violence should become the core of ruin culture.
Last but not least, the film is a bit violent and bloody. When expressing the feelings of criminals after taking "super slow" drugs, the director handled the picture too beautifully. This is a failure. When the female bandit leader was thrown from the 200th floor, she should be super scared at this time. In addition, she was instructed by the police to be "super slow", and her time speed has become 1% of the normal speed. This is a perverted process. Using mathematical calculations, it has expanded the fear of the female bandit leader by 100 times. Such a process has turned into a beautiful, too funny.
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