Macross has a turquoise female lead. Interestingly, another friend of mine saw the exact opposite of what I saw. I saw science, and he saw mission. We had no intention of convincing each other. This is good, persuasion is superfluous, and we prefer richness.
The contact with time and space has finely polished many aspects of the story, which comes from countless thoughts in life. Carl Sagan, one of the screenwriters, wrote "The Devil's Haunted World" and "Carl Sagan's God". I first met him in "Cosmos: A Journey Through Time and Space". His poetic writing depicts a rational and romantic world. Rational and ideal, rigorous and romantic, the stereotyped and contradictory impressions of the public are merged in the painting, like looking at a kaleidoscope, several mirrors, several colorful films, rotating and turning, colorful and colorful, this kaleidoscope mirror is infinitely elongated, Just at that end, I saw countless nebulae spinning and stars being born.
Some people are dissatisfied with the appearance of religion in Macross Contact, which makes the whole film less "hard". I think it is just right. The United States is a country that believes in Christianity. When the male protagonist asks Ellie, "Do you believe in God?" Ellie's left hand is For her own future and dreams, she must convince the committee and the public to vote for herself. The other hand is her honesty and conscience, and she will not lie. Ellie was under pressure to circumvent and euphemistically say, "As a scientist, I rely on evidence, and I don't think there is evidence to prove or deny God right now."
It was Ellie's words, Ellie's confession and denial when questioned, that was so moving. Ellie is strong, and her weapons are science and reason she advocates. The sword that was handed out stabbed into her heart, but she was still firm and persistent.
"You admit that you have no objective evidence to support your claim?"
"Yes."
"You admit that all this is your hallucination?"
"Yes."
"You admit, assuming you were in our situation, you were equally sceptical about it?"
"Yes."
"Then why don't you just withdraw your testimony and admit that the trip to the center of the galaxy never happened?"
"Becuse I can't...I had an experience. I can't prove it. I can't even explain it. But everything I know as a human being, everything I am, tells me it was real."
As a scientist, she relies on evidence, but there is no evidence to prove or deny her interstellar travels. In the end, some people are still skeptical, while others are fanatical. The heroine is still back in the desert, back in the radio business she loves, listening to the voices arriving from the past and now.
The male protagonist is Matthew when he was young. He is very handsome. I don't know why, but it always gives me the feeling that his eyes are swaying, as if looking at the female protagonist, but he continues to look past the female protagonist. The heroine is turquoise, silent, the wind blows, and there are bursts of pine waves, stoic. The way she looked at the world was still the same as when she was a child. When she was in the wormhole, she changed back to being a girl for a moment, exclaiming, discovering, and exploring. When there is a new discovery, there will be light in the blue eyes, holding a handful of sand, like holding the Milky Way.
The universe that is regressing and pulling away has become the pupil of a girl, until the bright and psychedelic can only be compared with poetry. The whole film is like a slow and slow bard, telling the dream, reality, and hero's return. ...
The film is embellished with poetry. The ordinary table is lit by candlelight, and the table is served with the images of all beings. And the whole film is composed into a poem, a bonfire feast with stars shining brightly, with the sky as the window and the earth as the world. In the four wilds, even the silence has become a song.
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