The above thoughts are my thoughts after watching the introduction of Danny Boyle's debut novel "Shallow Grave". I haven't studied Western religions, just think about it. "Shallow Grave" is a dark and thrilling movie. They are talking about three young people in the game of life using the rented house to play tricks on people, but they meet a consort who carries a large sum of money. They accepted him, but one day the man died mysteriously naked in front of them and left the money. These three young men representing warmth, positive, sunshine, distortion, evil, darkness, and a woman who speculates on emotions and wanders between good and evil to maximize the benefits of the three young men who completely forgot the morals and left the man’s body. Smuggled to the woods for disposal. They draw lots to decide who will divide the body, and the director arranges for the dark and twisted person to do it. Afterwards, the other two were still happy gaming lives. But the one who divided the corpse became more and more perverted and evil. He hid in the attic and did not touch other people. Being alone in the illusion of dismemberment was evil, and at the same time treating the money as private property, taped it up and hid it in the water tank. Suddenly one day two people came to look for the money left by the man. They subdued the two downstairs, but were brutally killed in the attic by someone who was already very abnormal. The conflict finally broke out, and the three people fought for the money. The seemingly active representative was in the same group with the woman. They jointly killed the pervert, but the woman was left nailed to the floor by a knife and her companion left with the money. But it didn't end. When the woman opened the cash box, it was full of waste paper. The camera returned to the person who was smiling on the floor. The camera moved down, allowing the audience to see the money hidden there. The movie ends. Danny Boyle (Danny Boyle)’s films have always used rationality and sensibility to think about human nature, and he has always used Catholicism, romanticism and gameism to understand human nature, and unified it with his films. The evil of human nature is his constant criticism, and the awakening of human beings parted with the past after allowing the protagonist to have a sum of money. Sin needs to be conscious of it, and what is often redeemed is an external opportunity. Money is an opportunity for people who want to leave sin.
After reading the introduction, I thought of those who saw the focus interviews interviewing the new Minister of Education, and the response to me was the minister who enlightened and restrained humanity. He used to be the sage of Kong, but now he is the party. The Ministry of Education is just a tool of party rule, and the methods are essentially the same as in the past. How long will China's ideological modernization linger in this myth, or repeat the history of China's rise and fall?
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