Maybe I should remind myself that this is a typical "contemporary-Hollywood-rock-movie", so I can't force a comparison with Oliver Stone's "The Gate". A good story is enough, so after watching the whole film for nearly three hours, there is no reason not to give a high score: "Almost Famous" can indeed arouse the audience's strong desire to follow the film's protagonist's growth and experience a journey.
Throughout the film, I was in extremely subjective thinking, constantly bringing myself into Miller's material and spiritual world. As a fledgling music critic, with the most prosperous orchestra in front of me, he has the ability to express himself with almost no effort. The right of voice is mixed with a heart that refuses to be kitsch. Miller may not have the urge to save the world by relying on literature and art, but the same is the rush of heart when he has such a superior right to speak. . Of course, the fortunes of small people are always enviable and easy to accept. Just like Jin Yong explaining why Xuzhu is loved by the Chinese, this is the obscenity of the people.
Many people were moved by the scene where everyone in the bus "destroyed the love and hatred in one song", and so was I. What an ingenious design, in the enclosed space of the big bus, a group of people who have experienced the journey of life together sighed when they looked at the years they were about to go through. It was indeed as if time had erased impurities. Can be as happy as a child. At that moment (perhaps including the moment when the plane almost crashed), everyone's imagination of rock musicians' mysterious sense disappeared. Divorce for promotion and divorce", he was teasing that the halo above people's head was worthless in front of the scorching life itself, and the members of "Still Water", under the tout of ardent fans, except for Russell - perhaps Russell is also one of them It's just more talented - not all selfish and selfish exploits are like being a star and wanting to be a star. Those who talk about rock's salvation of souls probably think of all rock stars as Cobain. However they are clearly not.
In the 1970s, following the New Wave, with endless emancipation of minds and endless collapse of idols, directors must have experienced the rise of New Hollywood. I have read Peter Biskin's biography "Easy Rider, Angry Bull" for New Hollywood. Perhaps this kind of slander has the characteristics of Tantou's erotic novels, and it is not 100% detailed, but it is about the life of the Beat Generation. His cruel depiction is far better than the warm scenes in "Almost Famous", just like the colorful world of colors deliberately decorated in the movie, his depiction of the world inherits the joyous glory of Hollywood movies, and occasionally splashes some It's harsh, but it also reveals a playful taste, as if the fortune of a rock band really accompanies the growth of fairy tales. I am reminded of the rebellious and decisive atmosphere created by Gus Van Sant in "The Uninhibited Sky". In the wonderful photography that is better than "Almost Famous", the bright colors are like venomous Wild mushrooms eat away at the lives of two teenagers, and at the end of the film, persistent people will exhaust their years.
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