First of all, it has a stronger Chinese flavor than the first one. When the domestic cartoons keep incorporating Japanese comics, mechas, ninja warriors, JK school uniforms, sailor uniforms, Japanese materials, and even the way of speaking, etc. An American cartoon I watched was full of Chinese elements.
In fact, the villains of the two films are well designed and similar. They are both evil sons. Dalong is because the main space of the first film is used to understand A Bao, so his performance is very small, but a few memories also outline a quite The tangled pure villain and villain image As for the peacock in this film, it's too good. I like Shen Wangye's type of villain so much, especially the dubbing and staring expression.
Slightly different from the character of Dalong's born bastard, Lord Shen is more like a child with extremely low self-esteem, from doubting himself to doubting everyone and even his parents, to not allowing anyone to doubt him, if there is, destroy it. Both A Bao and him were considered abandoned by their parents, but one was abandoned both physically and mentally, so A Bao could find peace, but Shen Wangye couldn't. As Po said in the film: "The wound will heal." And Shen can't, and is destined not to.
Both Sheep and A Bao advised him not to live in the painful past, but how could it be so easy to talk about it? A Bao has a godfather who loves him, and a group of good partners who fight side by side. Lord Shen is alone. And his great cause of revenge, even the wolf leader finally showed that he would not start with his companions. From the beginning to the end, the prince was alone. Maybe these scenes were the last straw that broke the camel's back. He could not fly. The clip shows that he can fly, maybe just heartbroken.
This plot is much stronger than the first one, but the fighting scenes are a bit far behind. It can be said that none of them is particularly enjoyable, and both have a common problem that the villain is rendered too strong in the front and then loses too easily. , both times, Bao felt that he won before it was too bad (probably too meaty), so that you can't fault the last person to overturn the fleet, but you don't think it's very good, and Shen Wangye's curtain call was too sudden, and It's too ugly to die. Instead of being blown up by his own cannon, he was crushed to death. Maybe it was to show his own self-rewarding, but I think it's better to let Bao use his strength to penetrate from the beginning to the end to find a way for him to penetrate. himself, but A Bao didn't want to kill him, but Lord Shen no longer wanted to live, so he "suicided" and went to another world to find peace.
(Because I like it so much, I don't really want him to die.) As for what reason you can say for the last leveraging of strength. . . I don't think it makes any sense. Kung Fu can only beat cannons in cartoons. To become stronger, only technology advances.
Therefore, the theme of this only family is well represented. Whether it is an ordinary adoptive father, an imperial family who is a noble monarch, a rebel son, or an abandoned orphan, each party shows the family's love for everyone in the family. The influence of people grows up to reconcile with the world, if reconciliation is not possible, they can only be Shen Wangye
But one thing is still very strange. Although the cannon was invented by the villain, it is the progress of science and technology after all. The only purpose of this whole process is to destroy the advanced technology, just because the advanced technology can easily defeat kung fu,,, Forget it, animation
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