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The door, choose to go out or go in?
Kayleigh 2022-04-19 09:01:21
The seemingly indestructible door of the dark room lies in front of the characters in the play like a human moral boundary. In the face of sin, some people choose to retreat, some people choose to persevere, and some people choose conscience. The whole film is still very compact, there are no fancy and weird plots, there are only desires, and the various expressions of people in front of life and death. The portrayal of the villain played by the Oscar-winning actor Forest Whitaker in the play is relatively full. Through the purpose of his choice to steal, we have more or less spy on his family background and character characteristics. Although he decided to take the risk to commit the crime, he was unwilling to hurt the innocent until he completed the redemption of his soul. Let us see The helplessness and misery of a person at the bottom of society being magnified several times. There is so much more to this film than to see.
Extended Reading
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Raoul: [to Sarah] Don't you look at me.
Burnham: Hey, all I know about this is what I've seen on TV. You gotta talk me through this.
[fills syringe with insulin]
Burnham: Nice house you guys got. Mom's rich?
Sarah: Dad's rich. Mom's just mad.
Burnham: Like this?
Sarah: Tap it.
Burnham: I wish I could put my kid in a place like this. Not that I didn't try. Just sometimes things they don't work out the way you want them to. Wasn't supposed to be like this. You weren't supposed to be here.
Sarah: Thanks.
[reads jumpsuit]
Sarah: Burnham.
Burnham: Wasn't supposed to be like this.
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Lydia Lynch: Hey, kid! No scooter!