History records the results, and the results are the result of joint efforts. Before gaining enough space and time for themselves on this stage, all forces are pulling and snatching each other to fight for a living space for themselves. Whether there's room for voices to come out and talk to themselves before they're wiped out is a criterion that has something to do with the word epic.
So things like Gladiator, King Arthur, Braveheart, etc. I'd rather call them biopics, or just legendaries. There is nothing wrong with a legendary film, but if it insists on being called an epic film, no matter how you look at it, it looks like a simple story reality show in a children's comic strip.
I haven't dared to move this film, first because the theatrical version has a bad reputation, and secondly because the director's cut version looks grand and tedious. After spending an afternoon watching it from beginning to end, I found out that it was really regarded as an epic movie, but it was robbed of popularity and applause by so many hula-la who sell dog meat.
The impression of Edward Norton seems to be still stuck in the Keep the Faith from countless years ago, with a figure that always looks thin and weak, a slow and clear voice, and eyelashes that leave a faint shadow... As long as he is in the camera, Neither the director nor the cinematographer will miss these standard Edward Norton-esque performances.
Then the Kingdom of Heaven, then the magician, and then the veil.
If he has to describe it, he should be elegant and calm, from appearance, temperament to performance style. The monarch under that mask has always been stoic, fearless, and calm. The light of the character makes people forget the face behind the mask, forget any previous character like him but not him, and make people believe that compared with the hugely changed Barrian, the Baldwin IV who was always under the mask and his leadership The holy city of the city may be the dusty history that inspired the creators in the first place.
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