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Actually, I really don't need to think so much, just know that it's cool to see the figures that the protagonist has not slept all night to find the company's cash flow loopholes, kill the Quartet protagonist's halo bodyguard, and cleanly solve this kind of enemy. .
Why the protagonist, who has been cold-blooded for years, is tempted to save the female accountant... I didn't explain it. The conversation between the two in the hotel may reveal something later, but the screenwriter reminds the protagonist of the key point before they kiss, and it is enough. ——I didn’t want the audience to watch the intimate scene, so I just said (covering my face) and finally gave me a painting as a token of love. Do you want another accountant to take the initiative or make a promise?
The villain is the younger brother. It's clearer in the middle and later stages, but I didn't expect the super-long brothers to be super-long. Generally speaking, any father who is a colonel can cultivate a genius. When the protagonist is the No. 1 character
, it is much better than other protagonists when the halo is turned on and the enemy will automatically surrender and be beaten. At least he can be injured.
Haben thinks it can reveal how the protagonist can escape/gain trust from various drug lords. Yes, the result is just that the protagonist's accounting office is more than one million dollars in total. I have to think that accounting is just a coolie. If you do it well, if you see it, you can just grab a gun. .
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