In the narrative style of chapter novels, the mothers of the children are almost a group of typical American social elites - denormalizing the elites is also a thing that pleases the common people - but the protagonist should be regarded as one of the family fathers who have achieved nothing. In order to restore the family that no longer belonged to him, he did everything he could to disrupt the so-called normal life of his wife and children, which was already in danger. The screenwriter is also the director and OWEN WILSON. Every character is as capricious and lovely as ever. Like children, all kinds of contradictions common in big families are also magnified by the same capriciousness and cuteness. All the ugly and heavy things in reality are in black humor. Becoming extra warm and kind. It's no wonder that WES ANDERSON's movies always have a happy ending, because no matter how tragic the plot is, it can rise to the so-called god level through the 24 frames per second deception of childlike innocence - if human beings think, God can really laugh.
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