desperation

Deja 2022-03-23 09:01:17

Very classic film. Although knowing that the protagonist is not dead, he is still thrilling. But the one-on-one heroism at the end is a bit redundant. But it is also common in movies nowadays. At that time, the video surveillance system seemed to be immature, so I could only look at hotels and the like. Unlike the current subway station. It looks like a Chicago city card.

Abel 2021-10-20 19:02:53

My sixth sense as a female audience is still very strong. When I watched the film, I felt that Ford would come back to find Moore. She felt that the scene was not over, and the character design was very similar to the male protagonist’s potential love interest. I found out that it was actually filmed like this—Ford went back to the hospital to ask Moore for help and fell in love with her at the end of the film—but the scene was later cut off, but Moore’s name was still kept on the starring list at the beginning of the movie. middle. In addition, the scenes between Lynch and Ford are also a bit ambiguous. After checking, I know that the role of the character is indeed Plato’s classmate friend of the male protagonist when filming, but considering that the male protagonist is not suitable to talk in the context of revenge for his deceased wife. Love, so I deleted the relevant plot. In addition, it’s worth mentioning that the St. Patrick’s holiday parade in the play is real. The scene is entirely temporary. The scene is collected from the scene. Ford and Jones join the parade to hide and seek, and the photographer is carrying the machine. Direct shooting, no rehearsal or script.