But Quentin fans don't seem to be so addicted to theory, they just feel that it is enough to enjoy the film when they watch it.
This is the right way. What are the big guys analysing? In other words, if I don't want to, Quentin's movies are meaningless, pure sensory stimulation, a kind of stimulation that uses alternative expressions in American movies to make you addicted.
Can you not be addicted to seeing Russell's car collide with the beauties, and seeing the stumps of the beauties flying all over the sky at that moment? Such a crash, so many years of Hollywood crash history, only Quentin can design it.
But the action and gore aren't the most eye-catching aspects of Death Proof. Personally, I think that song is the place where Quentin played the best B. Come to think of it, have you ever seen such a large number of non-song-and-dance films that use songs so intensively? Music and film are completely integrated and inseparable. Quentin's films have never been so cool before;
Others, such as imitation of 1970s movies in terms of style and color, and the scratch effect of negatives, are not new, but they are all just right.
On top of that, there are a lot of swear words and seemingly meaningless lines, which are not new, and the routines started from RD\PF.
That's enough, enough. Do you still have time to discuss when you're done? For example, is Quentin commercial or anti commercial? Is it the top art or the most popular? Did he come from Hong Kong film school or was he a genius from a video store?
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