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Wendell 2022-04-20 09:01:14

So... then write something? For the three or two remaining readers of mine. Although it was written casually, the content is interesting and unambiguous, and it is the most interesting movie I have seen recently.

Some people's movies you absolutely can't miss, Yu Lao Xu is Jiang Wen, Yu Fatty is Iijima Ai, Xile is Naomi, Li Xiaoxi is Zhang Nara, Mao Yangyang is Pei Yongjun, Black Kid is Black Kid, Huang Ying Bingzhe is Bean Yu Gao Minmin is the former Soviet Union Yu Tang director is Kaneshiro Takeshi Yu cousin is Xiaoman starring Yu Yutong is you arrested, to me? That's Quentin Tarantino.

This movie might drive some people crazy.

But I knew what he was going to do.

What a wonderful rapport between author and reader.

Those who have respected the movies all their lives are respectable but boring. Fortunately, there are still people like Quentin Tarantino in the world, who play movies, play to know the essence, and make fun of movies. It's not disrespectful, it's just kissing, it's kissing you. Since "Kill Bill" has been crazy and can't stop, I have played this "Torture Room" series again, this time with Robert Rodriguez, this crap, since "Sin City" I have Finally looked at him differently.

Quentin Tarantino made "Death Proof" himself and asked Robert to make "Planet Terror." This one alone has surpassed the realm of "Kill Bill". For me, "Kill" does not contribute much to the film itself. But "Death Evidence" has created a miracle. On the surface, it is more vulgar, B-level, more boring and anti-knowledge than "Kill", but as long as you pay attention to the dialogue between the characters, you will find that Quentin is crazy. In the inner world, incoherent and insightful, this is a strong man with a mentally handicapped face but full of great wisdom. Under the guise of retro 1970s Hong Kong and American commercial films, it recklessly vents its distorted imagination. In terms of scene control, it has reached the height of a pure art film that is more paranoid than award-winning films at various film festivals in recent years.

I noticed a new detail, the actors in this film have been completely reduced to the director's prop, which shows that Quentin Tarantino is embracing Ingmar Bergman, the director's dominance above everything else, This time around in the movie, maybe that's how it should have been. actor? There is no difference between actors and props.

At night, I watched the review of the old Hong Kong martial arts films of Central Six, and in the Jade Blood Sword, I saw the template, the rules, and the bloody and fairy-tale violence of Quentin Tarantino.

The contribution of the old Hong Kong martial arts films to the world is to sublimate violence to the cultural level, and finally break away from the low-level discussion on the moral level.

The movie is just a film that carries lies and passes through the door of light quickly. You sue me for pornographic violence. Where is the evidence?

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Extended Reading

Death Proof quotes

  • Kim: Answer the question motherfucker!

  • Abernathy: Listen to this, the Circle A clerk has this month's issue of Italian Vogue.

    Lee: No way!

    Abernathy: Way.

    Lee: I can't belive a fucking Circle A clerk carries Italian Vogue.

    Abernathy: It doesn't. It's his own personal copy. He'll let it go for 27 bucks.

    Lee: [scoffs] 27 bucks?

    Abernathy: What the fuck do you care? We're talking about fucking per diem here. We found an issue of Italian Vogue in Lebanon, Tennessee. We're lucky he's not asking for fuckin' Krugerrands. I'm getting it, and we're splitting it three ways.

    Lee: What? Me, you, and Kim?

    Abernathy: No. Kim doesn't give a shit about Italian Vogue. But Brandy will come in with us, and if she won't, Tyson, her assistant, will.

    Lee: Okay, but if anyone tears out any sheets that I want, you gotta make color Xerox copies of those pages, and I'm not talkin' fuckin' Kinko's here either. You take it to the art department and have them do it fucking right.