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Death Proof
Uriel 2022-04-20 09:01:14
Girl's Revenge is a constant theme in Quentin's films. In "Kill Bill", the third chapter of Yulian's life in charge of Nakazawa Itou interprets this bloody pleasure to the extreme, even surpassing Quentin's movies. In "Inglourious Basterds", Soshana is like a soul-possessed royal lotus, but one is hiding under the bed and the other is hiding under the floor. They all cover their mouths with their hands and watch their family members being killed. . But these are just foreplay. Quentin has let you accumulate enough fear and anger in his foreplay. The more you accumulate, the better the orgasm will be, and the best way to die is to be killed during the orgasm. kill. Like in Kill Bill, the Yamaguchi-gumi boss was a pedophile, and was dismembered by 14-year-old Miren in bed with a katana sword, as he once did to the Miren family. In "Inglourious Basterds", Sosanna's family is swept to death by Nazi gunfire at the beginning, and Hitler is beaten into a stopper at the end of the film. The poor policeman in "Sin City" was also cut into pieces because of his sexual desire, and in "King Kong Is Not Bad", the stuntman Mike killed the girls with a car to satisfy his own sexual desire, at least Quentin I explained it this way in the film, and in the end I was just surrounded by 3 girls in a circle. This ending is obviously not as heavy as the previous ones. Speaking of which, I suddenly understand why "Kick-a-Bian" can get the position of IMDB TOP 126. In fact, it just inherits Quentin's most classic combination, Lolita, violence and revenge. As for the plot. . Quentin has proven to the world that under the violent aesthetics of B-movies, nobody cares about the plot. The director is in a way more of a guy who reads stories before kids go to bed, but Quentin finds most of the stories too boring, so it's bound to be a little bit oily, and most kids don't mind a good story.
Extended Reading
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Zoë: So where's the maniac?
Kim: I shot him and his punk ass ran off.
Zoë: You wanna go get him?
Kim: Oh hell yeah!
[to Abernathy]
Kim: Baby, I think you might want to get out...
Abernathy: Fuck that shit! Let's kill this bastard.
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Stuntman Mike: You know, a bar offers all kind of things other than alcohol.
Pam: Hmm. Really? Like what?
Stuntman Mike: Women, nacho grande platters, the fellowships of fascinating individuals like Warren here. Alcohol is just a lubricant for all the individual encounters that a bar offers.