The visual effects reflect the consistent level of Hollywood, and it also incorporates the current popular elements, such as
parkour (in recent years, many films have), bungee jumping, time machine, whirling knife, ostrich racing, special forces and so on. In a sense, it is an action sci-fi mythology film.
Taking the political struggle in the palace as the main story line, the old-fashioned oracles, fate, salvation, brotherhood and other common themes are used. Therefore, after reading it, you can also think that it is a Roman prince, an Indian prince, or a XX prince. The male protagonist jumped from the high school student image in the American youth idol film to a Persian warrior, with strong skills, unshaven beards and muscles. It's just the baby face that I'm used to seeing, and it's childish, which often makes me feel like traveling through time and space. (And the lingering image of the melancholy and delicate man in Brokeback Mountain) Seriously suspect that the domestic version has been cut and adjusted. That night, beside the bonfire, men and women with pig's feet went through hardships. They just bare their chests and confronted each other frankly. The sparks of love were all over the place. Something should have happened, but the narration was added when the camera turned. The next morning in the blink of an eye, the arrogant princess turned into a little woman, acting coquettishly and blaming the man for not understanding pity and cherishing jade, oh buy a pimple!
On the whole, the action scenes are good, the scenes are majestic, and the last underground duel is so intense, completely sensory stimulation, and the special effects are too much to be honest!
View more about Prince of Persia: The Sands of Time reviews