Some people will think that Comrade Dillinger's failure stems from the betrayal and betrayal of a small group of unsettled people in the team, such as the male traitor who had a bullet in his right eye and failed to stand up to torture to extract a confession, and the man who wanted to get a residence status. Romanian female traitor who revealed Dillinger's whereabouts.
I say these are only secondary factors, the main factor is the loss of the right leadership in the organization. Just as revolutionary work and construction work are led by the party, criminal activity requires syndicate leadership. As the saying goes: the train runs fast, all depends on the locomotive belt. If the robber does not have a leader, it is not easy to do it. Either they grab less, or they cannot run. With syndicates, there are bases. Comrade Dillinger's previous victories against the enemy were not enough only by careful planning and efficient actions by a small team. Intelligence, vehicles, shelters, medical aid, and lawyer rescues are also related to the success or failure of the mission and the safety of comrades. Behind these things, stands the tall and silent figure of Syndicate.
When the leaders of the syndicate made it clear to Comrade Dillinger that the method of robbing a bank could no longer meet the needs of the new situation, setting up a voice station was the kingly way. Dillinger's disobedience to organizational leadership is revealed. It is clear that the news station can earn a bank robbery once a day, but Dillinger refuses to obey the organization's arrangement. If Dillinger could follow the trend and escort the voice channel business instead, he would not have sacrificed his precious life in the head-on conflict with the FBI. This painful lesson should be learned by latecomers.
Comrade Dillinger lives on forever.
PS: There are many places in the film, and the pictures have the taste of TV dramas.
PS: Powerful sets, props, costumes, amazing
PS: The chick who watched the movie with Dillinger at the end of the film, played by Leelee Sobieski, is the LOLI who rolled with two Japanese perverted men in Kubrick's posthumous work "Eyes Wide Shut", and is also in "88 minutes" serial killer.
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