One is bandit and the other is fbi, the classic duo mode routine, but it was not produced in the 1970s or 1980s. To tell the truth, this thing appeared in 2009, which is a realistic satire of American film shooting techniques.
Whether it's from the scripted events, the actors' performances, the rhythm expressions, the scene pictures, every angle, this is a rubbish movie that is not worth the time.
If the two heroes want to stand up, the gangsters have to have their own way, and the police also have their own way. It may be sympathy for each other, or it may be that the way is different, but they must have a spiritual core, otherwise the confrontation between the two actors will not stand up, and they will fall. For a single male protagonist.
There are only ruthlessness and love in the eyes of the bandits. From the beginning to the end of the film, the bandits are abnormal and surrounded by love, but the love between them is very cheap, making people unable to sympathize.
As for the Tao, not at all. It seems that the American background in the 1930s has become a decoration, there is no part that stimulates his character and cultural values, and there is not even a description of the details of life.
Bell, who played the policeman, was even worse. In 2009, when he was at his thinnest, he couldn't stand the air of a policeman at all. He was accompanied by his face from beginning to end, and his face was expressionless.
In the face of such a gangster, he not only has no Tao, but also no wisdom. He is just a tool person. If there is a clue, he will start without a clue. If there is no clue, he will be incompetent. There is not even one of his subordinates who can clearly recognize the face, which is enough to show the weakness of the team. .
A movie should always have a selling point. No one cares if you are shooting according to historical facts. This is not a documentary. What we need is the director. Are you going to pass the magic to us? Otherwise, what's the difference between you and a photographer with a dv? ?
No wonder John Woo was so popular when he arrived in the United States. To tell the truth, American directors are really good directors in this type of film, and there are not many good directors to be commended.
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