The above statement is not an extension of the film's theme, but only reflects the atmosphere and tone of the film: frankness! reality! Accustomed to watching American inspirational blockbusters in the traditional sense, the ending of "The Wrestler" will definitely surprise senior movie fans, but if you taste it carefully, this kind of literary ending is exactly the most suitable for "The Wrestler". The story takes the legendary wrestling king as the coat, but it is wrapped with a narrative poem of life in appropriate shades: a lonely father tries to save his only daughter's love, a lonely bachelor tries to conquer the heart of an old dancer, and a lonely low-income person tries to break away Wrestling lived a bland life.
Why do you want to be a wrestler? The sturdy Mickey Rourke dedicates a rather alternative introvertedness to the deduction node of knowing destiny, telling us that people have an inescapable passive persistence in the long years; Darren Aronofsky used a rather literary and artistic one. The old man's inspirational film has proved to the world that independent producers are active and persistent in artistic creation, and the glory of the Venice Golden Lion Award is also confirmed by this. Of course, "The Wrestler" defeated several major film festivals in the United States is also reasonable. In the midst of the financial tsunami, Americans clearly preferred Slumdog Millionaire, although I preferred The Wrestler.
Why do you want to be a wrestler? Why do you want to be a DS? Maybe Guns and Metalic also have a hard time understanding why their heavy metal craze of the 1980s was replaced by what Mickey Rourke calls a "sissy kurt cobain", of course, for the latter, which has little to do with the film's theme, I'm very understand.
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